A Quote by Omar Sy
When I was a boy, my older brothers listened to Earth, Wind & Fire and Kool and the Gang. When I would try to get into their room, they would close the door and say, 'You can't hear that. It's not for a child!' Now, I can listen to it and enjoy it.
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From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind hoping that the wind would touch the boy's face, and would tell him that she was alive.
I lived in the house with my mother so she had no choice but to hear what I was doing. I would ask her for her opinion. I used to like doing that because I would let my friends hear what I did, but they listened to it on another level. My mom listened to it with a different ear, because she's older.
When I do listen to music a lot of times I listen to old school music, I'm talking about Earth, Wind & Fire, I'm talking about the Isley Brothers, the O'Jays. It just eases my mind.
Singing is all about certain inflection on certain lines. I used to listen to tapes of everybody from Michael Jackson and Prince to Earth, Wind and Fire. They would have different vocal inflections. If the line insinuated pain, they would cringe on some lines.
It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.
Well, for Earth, Wind & Fire, we would often say that the band was more dynamic live than on record.
I feel, as I get older and now a father, I try to be a little more conscious of the things I would say and do. I try to be more creative as opposed to using a cheap word, cursing, or something vulgar to get a reaction.
Between my mom and dad, I would hear a lot of Earth, Wind, and Fire. My mom loved Chaka Khan, so that was on in the car a lot.
I would never teach a child of mine to be kind to a cop who would shoot you in the back of the head. I would never have that conversation because children don't hear what you mean, they hear what you say.
Listen to th' wind wutherin' round the house," she said. "You could bare stand up on the moor if you was out on it tonight." Mary did not know what "wutherin'" meant until she listened, and then she understood. It must mean that hollow shuddering sort of roar which rushed round and round the house, as if the giant no one could see were buffeting it and beating at the walls and windows to try to break in. But one knew he could not get in, and somehow it made one feel very safe and warm inside a room with a red coal fire.
I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down.
['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.
Billy [Ray] is a preternatural enthusiast. He would say things to me like, "Now, let me tell you about Episode 3." I'm a big superstitious, having done television for quite some time, and I would say, "Billy, I can't wait to hear about it, but let's just stay here for right now, see what happens, and enjoy this moment.
When I got a little older, like, 10 or 11, my dad would run a training school every month, teaching people how to become wrestlers. I would get in the ring now and again and mess around with one of my brothers, and he'd teach me some stuff.
I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
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