A Quote by Danger Mouse
Even with artists I love, only about a third of their music is what really hits the sweet spot for me.
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When people spot me, they are really warm. They acknowledge me with smiles and come up, even now, to tell me that I showed a lot of dignity in 'Big Brother.' Or they say, 'I voted for you to win!' which is really sweet.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
Corduroy hits the sweet spot between jeans and slacks. They're a trouser middleman.
I'm one of those artists that doesn't actually hate my old hits. I love Boston music. I really like 'More than a Feeling.' After playing it to myself in a basement for such a long time, I'm happy to do it out on stage.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
A common sense of humour and a love of music is really important, as I love all types of music. You name me any genre, and I can give you a list of artists I adore.
But I just love that music scene so much, and I enjoy really being around those artists and watching them even more than I do performing, because they are a whole group of people that do it because they love music.
But the Twins opened the fifth with their second and third hits, and Beltre helped Hernandez by taking his bullet throw for a force at third on a bunt try. I felt it, ... My only worry was that he didn't throw me a sinker. He threw hard, but a good fastball.
I only do numbers/acts that excite me, or I connect to personally. I never phone it in. It's about finding the balance between what my audience wants and what I want to give them. That sweet spot in the vendiagram.
There are two things that matter when you're making music. First, that you're doing what you love, even if it's crazy and other people tell you it's crazy. The second thing is the only people you really need to worry about are the people who love your music, not the people who speak badly about it.
But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.
That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.
The work I've done through my Common Culture Music series has enabled me not only to share my joy of music at scale but also promote the artists I love.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
I don't see any particular sweet spot. But I do see sweet stocks that I really love and like and think are going to do well. And one is a company that probably makes that beautiful toenail polish you've got on. A company called Ulta. And it has just beautiful beauty salons all over the country.
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