A Quote by Orlando Bloom
I think a film set is a quite controlled environment and you feel like you can trust them and it is going to be a safe place to work, but I really don't think about it.
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I think people in the fasion industry need to listen more and not look the other way when someone has a voice. We need to stop sending girls and boys to photographers or professionals who are known to be abusive. There should be a much more controlled environment in place for young models to protect them, and this should be led and supported by professionals in the industry. We need to create an environment in which models feel safe sharing information about their on-set experiences, instead of being silenced.
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
I went to Poland for the Warsaw Film Festival, and it was quite an intense experience. I didn't think it would be, but it did feel quite emotional to go back to this place I'd heard so much about.
I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.
I'm actually quite different when I'm there [ in the university] to how I am on a TV or film set. It's very challenging and I really, really like it. And I enjoy being in that environment.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
When you're on tour, you're trying to get the crowd involved and really sing and perform to them. When you're going to write and be in the studio, it's like, 'Now I have to think about me.' That's the mind-set you have to work with.
I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.
I think all kids feel that their lives are tough, and that they've, been given an unfair shake for one reason or another. So I think there's a lot of kids who relate to my story. They also relate to the fact that I got out of it. And I tell them that my refuge from all that was books - the library was my safe place. And the art room was my safe place because there I knew what I was doing.
I think there is something about... unless you come from a really evolved family that allowed you to talk about your feelings and felt like a safe environment, then you aren't really prepared to do that when you grow up.
There are plenty of sports teams that say they're very open and super accepting in the locker room. But are they really? Is it really a safe environment? Have they preset that environment to make these players feel comfortable for coming out? I don't think so because there's none out.
I think about things like the ability to communicate a vision, strength to create an environment where the actors fell very safe and where they can maybe they can work without e protecting themselves they can really stretch. These qualities are neither male nor female.
If I hear a film clip, or I happen to see some image from a film - you go to a film festival, and they show some clip of the movies you've been in, most of the time I sit there and go, "Oh God, I should have... should have... that was terrible." But I think that's a natural part of this work, because really, your work is never over. Of course I can leave it alone and walk off the set and never think about it again when it's done. But your work is really ongoing all the time.
I measure the success of my work by the way I feel about a film before anyone else has seen it. I think I can trust myself to know when the work is good and deep and interesting and when it isn't.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
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