A Quote by Orson Welles

The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room. — © Orson Welles
The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
The idea that a film is created in the editing room - it's only a certain kind of movie that's made in the editing room and it's not one that I really want to see.
I enjoy editing when I'm directing, but when someone else is directing, that's their film to cut.
I was directing as a kid in movies, and that was always my strongest interest. When I was under contract at Universal, I conned an editing room out of them and spent my money to rent a camera and shoot film and make some movies.
I like and I love everything that has to do with cinema: writing, directing, editing, creating music, and even acting.
I like and I love everything that has to do with cinema, writing, directing, editing, creating music, and even acting.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
Whenever I finish a film, I feel that this is the worst film that I have made. This is bound to happen because while writing, directing and editing a film, I would have lived it 5000 times. Naturally, one tends to loose objectivity.
I just ended up focusing on film editing as I was getting my career started. I'm very passionate about editing and will continue to edit for the rest of my career, but it's not like that was all I did and then somehow I grew into directing a movie.
Editing is where movies are made or broken. Many a film has been saved and many a film has been ruined in the editing room.
With comedy, you get an immediate response. I'm the whole kit and the kaboodle. I am the whole thing and can steer the whole situation how I want to. With film, you are basically in one area. Comedy is straight to it and the film is heavily shaped the camera and editing, so it's different.
I was fascinated by the effects that could be achieved by editing. The cutting room became a magic workshop for me.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
But you can still find good films if you read your local film critics and are willing to drive a bit. You have to be a proactive film viewer to have the most provocative cinema life.
I came from the school of cinema verite documentaries, which was: Do not manipulate reality as it was happening but create a narrative in the editing room.
The film is made in the editing room.
This site uses cookies to ensure you get the best experience. More info...
Got it!