A Quote by Oskar Kokoschka

There is no such thing as a German, French, or Anglo-American Expressionism! There are only young people trying to find their bearings in the world. — © Oskar Kokoschka
There is no such thing as a German, French, or Anglo-American Expressionism! There are only young people trying to find their bearings in the world.
The New World Order is a more palatable name for the Anglo American world empire. It's the planetary domination of London, New York, Washington over the rest of the world. It's hard to get people to join that or think they have a part in it if you called it the Anglo American world empire. If you call it the New World Order, then people in India or some place like that or the European Union might think, "Well, there's something there for us too." But that's not what it is; it's the Anglo American New World Order.
The American model was celebrated by Thatcherites and New Labour alike, California worshipped as the model of the future, 'Anglo-Saxon' embalmed as the fitting metaphor for the shared Anglo-American legacy, Europe denigrated and the rest of the world ignored.
For example, in England, we teach about Expressionism, but it is not the same in England as it is in Germany, because Expressionism is more important in the history of German art. So although it is the same history, the emphasis is different.
The French need a thrashing. If the Prussians win, the centralization of state power will be useful for the centralization of the German working class. German predominance would also transfer the center of gravity of the workers' movement in Western Europe from France to Germany, and one has only to compare the movement in the two countries from 1866 until now to see that the German working class is superior to the French both theoretically and organizationally.
When we strengthen our relations with the Gulf states, when we cooperate with the Arabs, everybody asks if we are looking for a new geopolitical place. But in the Middle East and the Gulf, you can find German, French and British goods everywhere. German relations to these states are very good, as are English and French relations. Does this make them Arab-oriented?
There are no English, French, German or American Jews, but only Jews > > >living in England, France, Germany or America.
There is such a thing as seduction, and it needs encouragement rather than discouragement in our puritanical Anglo-American world.
Eddie Izzard is doing his show in French... Will he be able to fake ad-lib as well in other languages? He's been speaking French for a while now, but he's talking about doing his act in German. Haven't the German people suffered enough?
Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow? It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it; tomorrow may be a bit better than today; and, after all, you have to have a little faith in people-doesn't diminish the glamour that clings to the man who turned the question over and look at it, elegantly, upside down.
The German intellect wants the French sprightliness, the fine practical understanding of the English, and the American adventure; but it has a certain probity, which never rests in a superficial performance, but asks steadily, To what end? A German public asks for a controlling sincerity.
Half of us are partly German! Half our language and culture, generally, in Anglo-Saxon terms, is German.
Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).
You look at the steamboat, the railroad, the car, the airplane - not all of these were invented in the Anglo-American world, but they were popularized and extended by it. They were made possible by the financial architecture, the capital intensive operations invented and developed by the Anglo-Americans.
It's quite a famous story that takes place on Christmas Eve, and the Germans, French, and Scottish are trying to make peace one night and they bury their dead and they play football. I play a German opera singer, in German, which I never have so I am really excited about that.
While foreign competitors, French or Japanese or German, merrily bid for contracts abroad, American companies find themselves tangled in a web of legislation designed to express disapproval, block trade in certain commodities, or perhaps deny resources to disfavored or hostile regimes.
If you're trying to get a bit of attention, you can smash up your hotel room or spend all your time going to openings or doing the gossip column thing. I just decided to do gigs in French, German, Spanish, and in America.
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