A Quote by Austin Rivers
We're caught in an era where everyone likes riding a wave. People want to go to places that are already on the rise and going to franchises that are already doing really well. And people have lost interest in going somewhere and making something great again.
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Every year, I always go abroad with dark music, and I'm going to these places, and I feel like I want a party rep - I want something that everyone is going to go crazy to and enjoy and have a good feeling.
The Internet is such a tough marketplace because everyone is a click away from going back to a cat photo, or going back to whatever else they were doing. You have to win them over, and do it quickly, and do it by making something people actually want.
I think in a post-9/11 world, with the images coming back from Iraq, everybody knows more and more people who are going over there... the images on the YouTube phenomenon where the violence is so immediate. Direct people need something stronger to respond to. I think that there's definitely a wave of directors - who are labelled the splat pack - who really, really care about making great scary movies.
People make basic assumptions based on what they have now. But you have to ask yourself, 'Is this really what people are going to be doing in five years?' Very few people ask themselves what they would actually want instead if they could wave a magic wand.
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
Live theatre is great. I loved doing the League live because you get that element of spontaneity, but then when I'm doing live I start to crave the precision of filming. It's a different discipline; it's like a scalpel and you're very precise suddenly. It's scary as well because you think this is it, this is my one go at making it if I can the best it can be, because this is how it's going to be remembered and rendered and left on this film indelibly. And people are going to look back on this and that's that.
When people go to the theater, people say they want something different, but what they really want is something the same with slight permutations. To really not know what is going to happen next is a hard thing.
And I know that this is prophetic: that God is going to send this mighty wave - I want everyone here to prophecy with me in Lakeland - that this mighty wave is going all the way out to California, Highway 40, coast to coast aaaaah! and we want to release that mighty Holy Ghost in. Send it all over the world. The wave is moving. The wave is moving the wave is. Come on! Catch the wave. Catch the wave in Canada. Catch it in Canada. Catch it in Australia. Catch it in England. Catch it in Asia. Catch it in Europe. Catch it all over the world.
People who are going to get along really well know it almost as soon as they meet. You spend a little while talking and everyone starts to feel this conviction, you're all equally sure that you're at the beginning of something good. That's how it is when you meet people you're going to be with for a long time.
I want to go places where there are really well-meaning people doing work that is interesting and seems to really matter and where everybody looks like at least once a day they have a really good laugh.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
You can pay certain people more money and stuff but that's just going to be a transfer from one group to another. The only way people's wages are going to rise overall, or average median income is going to rise, is if you increase productivity.
The media isn't only asleep; it doesn't want to know the news, that the people are revolting, in the very best sense of the term, revolting against the thieves in high places and reaching out to each other, which is our great strength. When you can draw that many people, you've got something going. You don't have to worry if the guys in suits are going to put it on the front page or not.
The theory is that if you take interest rates negative, people are going to say, "That's a silly game! I'm not going to lend my money to governments who want me to pay them. I am going to go into the stock market where I can get positive returns!"
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