A Quote by Austin Scarlett
For theater, the fashion had to have a certain grandeur that would read on the stage while also flattering the actress. The same thing applies when doing a wedding dress, but the treatments can be more delicate and there can be much more detail.
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I really wanted to go back to the theater, the live theater. That was the thing I had never had a chance to do, even though I had trained to be a stage actress.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
I also grew to love Nancy Reagan in a certain way. I learned more - certainly I learned more bad stuff that I had known about in greater detail, but I also got a lot of empathy.
While being called beautiful is extremely flattering, I would much rather be noticed for my work as an actress.
I'm legitimately having more fun doing music, but at the same time I worked my whole life for baseball. If I had to pick, I would probably pick music. I just connect more with the fact that other people connect with that I'm doing so much. It's a much cooler thing than being good at sports.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
While I had been, I guess, quite brilliant, academically, in my college years, I also had been editor of the paper, and I loved that. And, that was a much more active thing. And I missed it when I was doing graduate work.
The beautiful thing about stand-up advice is that it applies to anybody, any gender, any race, any age. The best thing you can do - everybody will tell you - is get on stage as much as you can. I would add to that: get on stage as much as you can - with the people you admire.
Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.
I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.
I'm not someone who has a list of great books I would read if I only had the time. If I want to read a particular so-called classic, I go ahead and read it. If I had more time, I would certainly read more, but I'd read the way I always do - that is, I'd read whatever happened to interest me, not necessarily classics.
My focus is creating more - creating a DJ set, but also creating the feeling that it's a certain type of production that's happening using multiple decks. I'm layering tracks together, but I'm kind of doing the same thing that I would do in a recording studio.
I've always had this thing for swimming pools - I think they're much sexier and far more glamorous than the beach, in a way. You dress differently when you're spending a day at an amazing pool than you would dress for the beach.
I think the wonderful thing about doing theater is that it's more of an actor's medium. I think that film is more of a director's medium. You can't edit something out on stage. It's there.
If a man, before he passed from one stage to another, could know his future life in full detail, he would have nothing to live for. It is the same with the life of humanity. If it had a programme of the life which awaited it before entering a new stage, it would be the surest sign that it was not living, nor advancing, but simply rotating in the same place.
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