A Quote by Otto Hermann Kahn

The appeal all too often is to the gallery, hungry for sensation. — © Otto Hermann Kahn
The appeal all too often is to the gallery, hungry for sensation.
Creationists often appeal to the facts of science to support their view, and evolutionists often appeal to philosophical assumptions from outside science.
But then, in his lifetime, Halt had often ignored what was technically legal. Technicalities didn't appeal to him. All too often, they simply got in the way of doing the right thing.
The art business is a rarified business and appeals to an audience capable of spending money on a luxury. Too often the atmosphere in a gallery borders on snobbishness.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
Of course there are regrets. I shall regret always that I found my own authentic voice in politics. I was too conservative, too conventional. Too safe, too often. Too defensive. Too reactive. Later, too often on the back foot.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of rearing and peering from the bent tip of a grass blade, looking for a route.
I'm hungry, Garion, and I don't think well when I'm hungry." "That might explain a lot," Beldin noted blandly. "We should have fed you more often when you were younger."
It's not like I have anything against it, I just chose the kind of films that appeal to me, and mindless entertainers don't often appeal to me.
What's clarity like? Try to remember that funny feeling inside your head when you had math problems too difficult to solve: the faint buzzing noise in your ears, a heaviness on both sides of your skull, and the sensation that your brain is twitching inside your cranium like a fish on the beach. This is the opposite sensation of clarity. Yet for many people of my era, as they aged, this sensation became the dominant sensation of their lives. It was as though day-to-day twentieth century living had become an unsolvable algebraic equation.
I like acting too much and it's too, I'm just too busy doing that and I'm too hungry for it, to get behind the camera. I mean, unless I could act in it, too. I don't think I've got the right brain. I'm too disorganized.
The world today is hungry Not only for bread But hungry for love; Hungry to be wanted, Hungry to be loved.
I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
I am not hungry for roles on TV or in films. I am happy being a social media sensation.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence.
Be hungry for success, hungry to make your mark, hungry to be seen and to be heard and to have an effect. And as you move up and become successful, make sure also to be hungry for helping others.
It would have been very easy to play to the gallery, but I took a conscious decision not to do that. Safer not to be too popular. You can't fall too far.
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