A Quote by Otto Penzler

All cultures have had a belief in ghosts and a fear of ghosts. People have always told stories, and everybody likes being frightened, especially when you feel safe. Personally, I find them scarier than vampires or zombies.
Ghosts and vampires are never only about ghosts and vampires.
(What are your ghosts like?) (They are on the insides of the lids of my eyes.) (This is also where my ghosts reside.) (You have ghosts?) (Of course I have ghosts.) (But you are a child.) (I am not a child.) (But you have not known love.) (These are my ghosts, the spaces amid love.)
Not everybody believes in ghosts, but I do. Do you know what they are, Trisha? She had shaken her head slowly. Men and women who can't get over their past . . . That's what ghosts are.
Many people told me such convincing ghost stories that I felt that there really were ghosts, though I hadn't seen any. And though I still haven't seen a ghost, I feel that they are all around us; we are just not aware of them being there.
There are two parts to the human dilemma. One is the belief that the end justifies the means. That push-button philosophy, that deliberate deafness to suffering, has become the monster in the war machine. The other is the betrayal of the human spirit: the assertion of dogma that closes the mind, and turns a nation, a civilization, into a regiment of ghosts--obedient ghosts or tortured ghosts.
I am less interested in ghosts than in people who see ghosts.
I think there are probably ghosts in the world. I have not seen one but I feel like I felt the presence of one. In Korea there's been a superstition that ghosts love music, so they're always in a studio or a dance-training place.
When we usually think of fears, in comics or in films, it's most often fears on a relatively superficial level: fear of murderous insects, of ghosts, of zombies, or even fear of dying.
With supernatural things, I have heard ghosts, but I've never seen ghosts. I do seek ghosts and I would love to see one, but I would crap my pants.
Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
I am a storyteller from a personal viewpoint. When I run out of people I invent ghosts. I don't believe in ghosts. Never saw one.
I love ghosts, I prefer ghosts to some people.
Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them." "I don't believe in ghosts," I said, faintly. "Some people can't see the color red. That doesn't mean it isn't there," she replied.
Time can divorce us from the reality of people, it can separate us from people and turn them into ghosts. Or rather it is we who turn them into ghosts or demons. Some kinds of fruitless preoccupations with the past can create such simulacra, and they can exercise power, like those heroes at Troy fighting for a phantom Helen.
Movies by Carlos Saura and others had ghosts, memories from the past, that they used to make a political point. Things you couldn't talk about openly, you could speak of through ghosts.
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
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