A Quote by Ta-Nehisi Coates

I don't completely understand why people in Aspen want to hear what I have to say. — © Ta-Nehisi Coates
I don't completely understand why people in Aspen want to hear what I have to say.
Between what I think, what I want to say, what I believe I say, what I say, what you want to hear, what you believe to hear, what you hear, what you want to understand, what you think you understand, what you understand...They are ten possibilities that we might have some problem communicating. But let's try anyway...
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
That's why I don't understand why actors become arrogant and are completely unapproachable - because as an actor, the most valuable thing you can do is talk to people and hear their stories, because it'll all come in handy.
Lots of people say to me, 'I completely hate Busted'. That's completely cool with me. I understand why.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
People around me never say anything. They just seem to want to hear what I have to say. That's why I do all the talking.
You don't want romantic advice from me, you want romantic advice from Edward Cullen. I completely understand but he is completely unavailable right now and I'll tell you why. He doesn't exist.
We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
People feel completely anonymous online. They can say whatever they want, do whatever they want, why not go the next step and kill people through the Internet?
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
I have a tendency to want to understand everything people say and everything I hear, both at work and outside, even at a distance, even if it’s one of the innumerable languages I don’t know, even if it’s in an indistinguishable murmur or imperceptible whisper, even if it would be better that I didn’t understand and what’s said is not intended for my ears or is said precisely so I won’t understand it.
I never used to understand why people bothered to hold hands as they walked, but then he runs one of his fingertips down my palm, and I shiver and understand it completely
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
When you understand the fear then you can begin to move past it. So when I hear the people say it's innate, you can't learn it, I just want to hit them in the head.
I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
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