A Quote by Pamela Moore
Oh, Al, shut up! Stop criticizing me! First I'm criticized for being a prude and sounding like a social worker or something, then I'm criticized for looking like a cheap broad. How am I supposed to live? Under the water or something, coming up only to say 'I beg your pardon if I disturb you by coming up for air. I'll do my best to remain submerged.'
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It is not intuitive ease I am after, but rather a point of view which is sufficiently definite to clear up some difficulties, and to be criticized in rational terms. (Bohr's complementarity cannot be so criticized, I fear; it can only be accepted or denounced - perhaps as being ad hoc, or as being irrational, or as being hopelessly vague.)
It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?
Sometimes the first step is the hardest: coming up with an idea. Coming up with an idea should be like sitting on a pin-it should make you jump up and do something.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
It'll be no use their putting their heads down and saying "Come up again, dear!" I shall only look up and say "Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else"--but, oh dear!' cried Alice, with a sudden burst of tears, 'I do wish they WOULD put their heads down! I am so VERY tired of being all alone here!
If you get criticized, good - I don't think people get criticized enough. People talk behind your back and they criticize you, but they don't often come up and say it to you.
There's virtually nothing to stop the cold air from off of Hudson Bay from flowing down across the midlands. So you get good contrast: the warm air coming up -- the cold air coming down -- and where they meet is your typical frontal location.
I like the two worlds coming together in the Internet space, which is so up for grabs... It all struck me when I heard about Twitter and Instagram, how it's like notes you pass in class. If someone's passing you a note, you really should be doing something else, and instead you're like, oh, 'What are you doing?'
Like how could you do nothing,
and say, 'I'm doing my best.'
How could you take almost everything,
and then come back for the rest?
How could you beg me to stay,
reach out your hands and plead,
and then pack up your eyes and run away
as soon as I agreed?
I guess the biggest thing I had to get used to was people staring. At first it was like, 'Am I wearing something odd? Is there something on my face?' It was kind of weird because when I go to the grocery store, people, they're not necessarily coming up to me asking for a photo, they just... look at me.
I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.
I can't understand how some bands are criticized for doing something different and other bands are rewarded for doing things different. At the end of the day, I throw my hands up in the air and say, "F**k it." I've come to accept that no matter what we do, there's going to be somebody out there on the Internet that says it's a piece of s**t and somebody who says they really like it. That's happened with every single album we've put out.
Hidan: Hey, look at that, it's my headband! You went to the trouble of picking it up and keeping for me? I'm touched. You're a pretty nice guy, Kakuzu, you knwo that? Kakuzu: Shut up. Let's go. Hidan: Let me put it on at least! Okay, I'm coming. Admit it, you like me a little, doncha? Kakuzu: Either you shut up, or I'll kill you. Hidan: Haha, you're embarrassed! I understand.
In 2003, I wrote a New York Times best-seller called 'Shut Up & Sing,' in which I criticized celebrities like the Dixie Chicks & Barbra Streisand who were trashing then-President George W. Bush. I have used a variation of that title for more than 15 years to respond to performers who sound off on politics.
For me, I have to say that I like to work a lot too, but I like not working better. The perfect scenario is when you just worked and you know something's coming up, then you have four, five, six months off. But you know you're going to have a job later.
You start noticing that people are noticing how you look, and it is a profoundly alienating experience when it first happens, where you go on TV and you say something about some topic of the day, and on the Internet people are like, 'What was up with that shirt?' 'What was up with your hair?' And you think, 'Oh, that's kind of a bummer.'
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