A Quote by Panda Bear
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
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A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
You just feel like you're doing a job that you want to be doing, and then one day, somebody asks you a question like that: 'What's it like to be famous?' It doesn't really mean anything. The only difference is some people stop you and ask you for photographs.
When I'm on the court, I feel at peace, really. It feels like my home. I'm always thinking of something creative to do, like trick shots or something like that. It's just something about the basketball court that touches me; it makes me feel like nothing is wrong on the court.
When you take a break from something you love doing, you just feel like it's time to get back into it; you feel like you've been missing out on something.
I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'
Being a full-time musician back before I had my son, it was sort of too much 'me' all the time. I felt like a bit of a narcissist, always doing just my art - even though I feel like artists are doing a service as well. I needed something a little more literal, instead of writing music and hoping people enjoyed it.
I just feel like, unfortunately, I'm a person that has to be creative to live. Whether that's, like, painting or making sculptures or writing songs, sometimes I just feel like that's the only thing you can do.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I feel like I understand Trump's character better than the average person now, having seen all of these little interactions with charity. I wanted to keep doing something that's like that, and not just doing pure politics. So my piece of the Trump empire is the golf courses, Mar-a-Lago, and the winery.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm that type of person that if I feel like I'm doing the same thing in life, then I'm stuck. Always gotta be moving and doing something different.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
Everybody has a job to do, and you just know that every day you have to do what it takes to get there. Of course, everybody has those days where you don't feel like doing it. I'm just like anybody else in that respect. But there's a difference between not feeling like doing it and not doing it period.
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