A Quote by Parvathy

I was not somebody who watched a lot of films. We couldn't afford to. We came from struggling family background. — © Parvathy
I was not somebody who watched a lot of films. We couldn't afford to. We came from struggling family background.
You know, I've had a lot of rewarding interviews. And, a lot of times, it's the connection you make with the family of the victim, or near-victim, or somebody who spills their heart out to you for the first time. And often times, it's somebody who's watched my shows and feels comfortable with doing it.
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
I come from a humble background, where my family was struggling to be called middle class.
Mom was always doing something for somebody. She came from a Czech background, one that made her a devout Catholic and gave her a strong belief in the family.
I haven't watched a lot of television, but when I was kid, I watched 'All in the Family,' and I liked Archie and Edith a lot.
Not only did we read a lot at home, we also watched a lot of films. So I had already seen a lot of films that were about the crucifixion and the temptation of Christ, like Bible history and the Ten Commandments - stuff like that.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
Although I've watched most of Spielberg's films, I haven't watched many animated films. I prefer reality over animation.
I watched a lot of the James Bond movies, certainly, both the old ones and the reboot with Daniel Craig. I watched a lot of the Matt Helm films with Dean Martin, which just have these great car scenes where it's rear-projected, and they just start making martinis out of a bar in the glove compartment.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.
I know of a few multimillionaires who started trading with inherited wealth. In each case, they lost it all because they didn't feel the pain when they were losing. In those formative first few years of trading, they felt they could afford to lose. You're much better off going into the market on a shoestring, feeling that you can't afford to lose. I'd rather bet on somebody starting out with a few thousand dollars than on somebody who came in with millions.
Unremembered and afar I watched as I watched a star, Through darkness struggling into view And I loved you better than you knew.
Look at the films of Walt Disney: 'Snow White' came out in February 1938, and I can't think of another film from that year that's watched as much. The same is true of 'Bambi,' 'Dumbo'... even, frankly, 'Toy Story,' which is probably watched more than any other movie of 1995.
I love films. It's really funny, actually. Like, I see a lot of smaller movies. But a lot of these big, epic films that everyone's like, 'You have to see,' I haven't watched yet.
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
Every Sunday on Channel 6 in Guadalajara, where I lived, they dedicated most every Sunday to black-and-white horror films and sci-fi. So I watched them. I watched 'Tarantula.' I watched 'The Monolith Monsters.' I watched all the Universal library.
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