A Quote by Guy Sebastian
Some people are great lyricists, but they're terrible at melody. But I could do melodies till the cows come home.
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I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.
Melodies are very important in a song. Having a great melody and a great hook. That's what I would always come up with a great melody and that's important.
I could have quite literally snogged until the cows came home. And when they came home I would have shouted, "WHAT HAVE YOU COWS COME HOME FOR? CAN'T YOU SEE I'M SNOGGING, YOU STUPID HERBIVORES???
If I have to, I'll go and direct theater and talk till the cows come home.
I could dance with you until the cows come home. On second thought I'd rather dance with the cows until you come home.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
I love what I do, and if I'm playing for people who love what I'm doing, I don't really care, I'll keep playing till the cows come home.
Despotic governments can stand 'moral force' till the cows come home; what they fear is physical force.
I could make up characters till the cows came home. Plot's what hard. Very hard.
If I spent all my time criticising myself, I wouldn't be able to function. There are actors who theorise till the cows come home. I haven't the patience for them. It's maybe shallow, but that's why I'll never be part of the acting set.
Kanye is a student of art. He's an art-school-dropout type of kid that will talk about art till the cows come home.
When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.
Avicii's melodies were so simple and cool, and they were actually similar to the melodies I played on piano. I thought if I could teach myself how to produce and get those melodies out of my head and into the computer, maybe I could make some cool music, too.
Melodies are far more interesting. They are there, in your face, in certain sections of the songs. People do complain about the melody thing, but we do hit patches of melody and beauty, as well as the other stuff.
In terms of melody, I am really into great 90's melodies. I feel like there was a great focus on melody in the 90's, like 90's pop-hooks and 90's R&B hooks; I just love them.
I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.
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