A Quote by Paresh Rawal

I have a hunger for good roles. — © Paresh Rawal
I have a hunger for good roles.

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Hunger in the midnight, hunger at the stroke of noon Hunger in the banquet, hunger in the bride and groom Hunger on the TV, hunger on the printed page And there's a God-sized hunger underneath the questions of the age
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
What can be said about chronic hunger. Perhaps that there's a hunger that can make you sick with hunger. That it comes in addition to the hunger you already feel. That there is a hunger which is always new, which grows insatiably, which pounces on the never-ending old hunger that already took such effort to tame. How can you face the world if all you can say about yourself is that you're hungry.
Bean could see the hunger in their eyes. Not the regular hunger, for food, but the real hunger, the deep hunger, for family, for love, for belonging.
There is hunger to have good experiences with people. There will be roles and all of that. But the package of experience has today become important for me. People should be good, established; the filmmaking and acting experience should become heartening.
The idea is to choose good roles and good movies. I don't want to act simply to remain in the industry, nor am I here to do glamour roles.
I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
I love to star in movies, but I want to have good roles. It doesn't help to get starring roles in something that's no good. I mean, that will just kill you.
What good is it if the Eucharistic table is overloaded with golden chalices when your brother is dying of hunger. Start by satisfying his hunger and then with what is left you may adorn the altar as well.
I think there is an enormous appetite for great roles for women. You can see that clearly with things like 'The Hunger Games.'
Hunger is isolating; it may not and cannot be experienced vicariously. He who never felt hunger can never know its real effects, both tangible and intangible. Hunger defies imagination; it even defies memory. Hunger is felt only in the present.
I was good in comedy so I started getting such roles but as an actor you don't like to do same type of roles.
Hungry is a word that I've been analyzing here of late. It's not hunger that drives me, it's not hunger that needs to drive our football team. Hunger and thirst are things that can be quenched. We have to be a driven group, we have to seek greatness.
It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it… and then the warmth and richness and fine reality of hunger satisfied… and it is all one.
Hunger of the body is altogether different from the shallow, daily hunger of the belly. Those who have known this kind of hunger cannot entirely love, ever again, those who have not.
Every time there's a really good story, there's women in it. We may not get as many roles, but the roles we get are really good, I think, for the most part.
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