A Quote by Perfume Genius
If I'm not writing, I can download a newer album everybody's making a fuss about. But when I'm writing, I keep myself in my own zone - I worry about listening to new music that'll inform me too much. I'm the kind of person who goes to another country and starts speaking in an accent after three days.
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So much of the effort that goes into writing prose for me is about making sentences that capture the music that I'm hearing in my head. It takes a lot of work, writing, writing, and rewriting to get the music exactly the way you want it to be.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
The music kind of takes care of itself because we've done all that as preproduction in the practice room. So by the time it gets onstage, each song has about one hundred hours of way too much mothering gone into it. So when you see us play live, that is the product of ninety days of practice, over a year of writing, listening to demos on the weekends after practice.
I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
I'm writing songs that connect to millions of people. And that happens for a reason. I don't really worry too much about people who aren't into it because that's the beauty of music. It's subjective. If every single person in the world loved our music, then that'd be weird.
Making promises to myself, in my personal writing practice, has been important to me all my life. In practical application it is so much easier for me to make promises to others, and keep them, than it is to make promises to myself. "Why is that?" and the answer I gave myself is that in making promises to others I create a model of accountability and reinforcement. I duplicate that in my writing and have grown increasingly better at making and keeping promises to myself.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
Singer/songwriters spend two or three years making an album, and then it goes up for sale and everybody pirates it and you don't make any money. Whereas, writing a film score you still get presented with a paycheck.
Listening closely to songs these days, there's a lot of lazy songwriting where people get away with it. I don't want to be too critical about it. But I also feel like I wanted to say something a bit different from just being a musician and singing about yourself. Ultimately, that's not really interesting to me. Even when I was a kid, I was interested in observing people and maybe making my own stories. That kind of reflects in my music.
Critics stopped being relevant when they stopped writing to inform and contextualize, and when they started writing to signal who they are, to display their identity by their stance on what they are writing about. Criticism should never be about the critic, but thats what it has become, and that’s why no one cares about them anymore.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
I'm a fairly ascetic person. And I do most of my writing at night. You don't get distracted, your brain goes into what you are writing about, into the world you're writing about, rather than into the world you're in.
Take the gesture, the action of writing. I have an almost obsessive relation to writing instruments. I often switch from one pen to another just for the pleasure of it. I try out new ones. I have far too many pens - I don't know what to do with all of them! And yet, as soon as I see a new one, I start craving it. I cannot keep myself from buying them.
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print
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