A Quote by Passenger
I think whenever I've thought something might go well, it hasn't, and when I've thought, 'Oh yeah, just chuck it out there,' that's when it kicks off, so now, I don't claim to understand anything.
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I thought the world had actually ended. I thought nothing good could ever happen again. I thought anything might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, gradually became livable again.
But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
I don't know why I go to school unless for kicks, oh well might as well do dissect a frog.
Oh, this is fun - went to a nude beach for the first time. Yeah, that's what I thought. You ever been to a nude beach? Thought it would be all sexy and hot. Oh my God, what a flubber fest! Everybody who shouldn't be naked is naked - didn't make me want to take off my clothes, made me want to take out my contacts.
I used to have to force myself to go, okay, nothing, nothing, nothing, nothing and then all of a sudden a thought of some where could come in. Now I can just focus and not think about anything. So, yeah, I guess I do that a lot.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
We're normal people. Don't be scared because we are in a chair. People don't understand that. They think, 'Oh, a wheelchair, something's wrong with their heads, something's just not right.' Well yeah, we may be a little twisted, but no more than anyone else.
When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, "Oh, right, well I'll do that." From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
The thought that I had been captured so soon, without having done anything for the revolution, made me feel ashamed. I thought: at least now, I must carry out my duty well under torture.
I imagine I was supposed to become a lawyer or something. But this was the Depression; the lawyers I saw were all driving cabs. So I thought, 'Well, if I'm going to be badly off anyway, I might as well be badly off in the theater, where you get used to it.'
If you're not doin anything and you don't have goals and you got nothing to do then you might as well go jump off something, you just wasting the air.
Whenever I found out anything remarkable, I have thought it my duty to put down my discovery on paper, so that all ingenious people might be informed thereof.
I thought I couldn't afford to take her out and smoke as well. So I gave up cigarettes. Then I took her out and one day I looked at her and thought: 'Oh well,' and I went back to smoking again, and that was better.
Anything that me and Gucci do is never thought out or planned real deeply. We always just go off of what we feeling. It's sporadic.
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
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