A Quote by Patrick Demarchelier
I love digital, but the only problem is less intimacy. People look at the screen right away. Before, nobody saw the picture before you saw the final picture. There was more privacy in a way.
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I feel like the quality of privacy and respect of people's personal space has been completely disintegrated. You can ask to take the picture. I will be so glad to take the picture and pose and look good for the picture.
Before the camera, you only had secondhand takes - someone had to tell you what they saw or draw a picture of it or sing a song. Because of the camera, sometimes to our horror, we now know everything that happens in the world - things that before we were sheltered from.
I read and I read; and I was like a medieval king, I had fallen in love with the picture long before I saw the reality.
If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.
Focus group was helpful in the way it always is when you make movies, especially with anything funny. You can find the right edit or the right beat. In terms of cutting and rhythm, I think it's essential to screen your movie before you lock picture.
I've gone on Twitter, and I've seen a picture of me walking through the airport, or some random picture, and the person's like, 'Oh my God. I just saw Chilli.' They just take a picture, and it lets people know where you are. It's just crazy to me even when people do that.
My son was staying with me, and we got up to watch it, just before they announced supporting actress, he came up and put his arm around me. I think it was like, 'Either way, mom, I still love you.' But then it was funny because I saw it. I saw my picture, and I heard them announce it, but I had to ask him, 'Did I really see that?' I wasn't sure I was seeing it, but he assured me that yes, I was nominated for the Academy Award. We just sort of cried a little bit.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true
I was leafing through a magazine where there was a before-and-after picture of a woman who went from a size 5 to a size 3 by liposuction. Was she serious? I've cooked bigger turkeys than her "before" picture.
One paradox I have found is that, the more you use computers in picture-making, the more hand-made the picture becomes. Oddly, then, digital technology is leading, in my work at least, toward a greater reliance on handmaking because the assembly and montage of the various parts of the picture is done very carefully by hand.
I've been in every disco in the world. I saw a picture of my wife Shakira and I dancing in Studio 54; I didn't even know someone had taken that picture.
When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
The two Testaments are interesting, each in its own way. The Old one gives us a picture of these people's Deity as he was before he got religion, the other one gives us a picture of him as he appeared afterward.
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
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