A Quote by Patrick Marber
Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.
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My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
I have completed and uncompleted screenplays, but they both fall into the category of “unsold.” I've seen quite a few movies where the screenplays seemed to be in the “uncompleted” category yet still got sold and made into movies, so I generally refer too all screenplays as “sold” or “unsold.” But that's just my own filing system.
The few times I've tried to write original screenplays, it's a difficult process because I just don't feel like I know the characters the way I know them after the year or two it takes to write a novel.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
I just write by instinct and my screenplays are often the effort of a year-long penance on a subject.
I love Hap and Leonard and plan to write more about them, but not exclusively about them. I have always worked in film, or since the eighties, but my screenplays - though I got paid and did screenplays for Ridley Scott and John Irvin and Mark Romanek - seldom got made.
I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
I wasn't a frustrated writer who really wanted to act or a frustrated writer who really wanted to direct. I was really happy writing screenplays, and there's a lot of people who just do that - they're screenwriters.
My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.
I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.
In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.
I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit.
I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also working on one with my writing partner, Tom Riley, who's in London.
Although I write screenplays, I don't think I'm a very good writer.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
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