A Quote by Patrick Ness

How you leave the reader is so important - not the climax; I call it the 'exit feeling'. — © Patrick Ness
How you leave the reader is so important - not the climax; I call it the 'exit feeling'.
Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life" -- he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit.
But, inevitably, as he [Kierkegaard] approaches what we might call his Christocentric climax many readers drop off. Many scholars just leave that part of his authorship alone.
Every successful piece of nonfiction should leave the reader with one provocative thought that he or she didn't have before. Not two thoughts, or five - just one. So decide what single point you want to leave in the reader's mind.
When you're working a three-hour gig, how do you know when to climax? You just watch the crowd and ride the wave. If they're not feeling a song, you move on.
Victory means exit strategy. And it's important for the president to explain to us what the exit strategy is.
The biggest thing is to give it back. You want to leave the game in a better situation than you came in with it. That's really important to me, especially being an avid reader and just learning about how to build businesses, learning how to make the most of the business you're in, the ins and outs of the relationships that you build as well.
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
When people say I have become a celebrity, I remind them of fame's flip side. For instance, if I want to watch a movie in a cinema, I have to enter through a side exit just before the film begins and leave by the same exit before the credits roll.
E!" Klaus cried. "E as in Exit!" The Baudelaires ran down E as in Exit, but when they reached the last cabinet, the row was becoming F as in Falling File Cabinets, G as in Go the Other Way! and H as in How in the World Are We Going to Escape?
The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same.
You're always feeling powerless in life. If you're in an abusive relationship or working for what we call a psychotic boss sometimes the only option is to leave because you're emotions get so entangled with these manipulative people that staying there you're just helpless because they're good at passive aggressive games and you're not, so you have to leave.
Always start at the end before you begin. Professional investors always have an exit strategy before they invest. Knowing your exit strategy is an important investment fundamental.
That'?s a way to increase the realism to the reader, if you want to get technical - you leave it [character] vague and you let the reader fill in the blanks with their imagination.
The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality; it is fundamental. I leave here a bit of paper, I leave, I die; it is impossible to exit this structure; it is the unchanging form of my life. Every time I let something go, I live my death in writing.
More than working toward the book's climax, I work toward the denouement. As a reader and a writer, that's where I find the real satisfaction.
The best critics leave the reader curious to pursue something further, but still to let the reader have his or her own honest, unique opinion.
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