A Quote by Patrick Wilson
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
In order to put it into perspective, as an actor, it's super hard to get on a TV show. If you get on one, it's super hard for that show to be reasonably successful. All of that, on paper, seems pretty special. It's the sum of the parts, really. To roll the dice and come up with this particular show is pretty fortunate. I'm very happy about Silicon Valley series. It's changed everything for me.
Once upon a time you were a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. Anyway, being a fish, you knew how to swim. You were a great swimmer. A champion swimmer, you were. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. Perhaps that is what it means to be a father-to teach your child to live without you.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
No one rises above who he or she has been without first having fallen down. The best time - in fact, the only time - to make a real change in your life is in the moment of seeing the need for it. He who hesitates always gets lost in the hundred reasons why tomorrow is a better day to get started.
I was a bartender for a long time, so I know how to make drinks, but I'm more likely to offer them than to have them. I think this is one of the reasons why I get to live longer than my great-grandmother did, and why I get to produce more writing than she did, and why my marriage isn't in dire straits.
How long can you bank on your body and your face to help you get roles in films? At the end of the day, anyone who wants to be known as an actor wants to be appreciated for his/her work.
Why do you do what you do? Why do you dress the way you dress?Why do you do what you do with your time? Why do you watch what you watch on TV or at the movies or on the computer? Do you have God-glorifying reasons for all of it?
I am very picky with my career. I don't need to do it for the money or the fame. I'm very choosy, which is why I haven't played the typical role that people expect to see from someone of my stature and size, as the mean jock or the preppy. It's very easy to see me like that. That's why I go against it in different roles.
I think it's just growth, and development, timing. I've been fortunate to be around for a long time. Allowed me to get better as an actor. Allowed me to play better roles.
There are always seasons to a career and perhaps always the grass is often greener, you're often looking at other people's careers going, "Damn, they get all the good roles. Why didn't I read that? Why didn't they ask me to do that?"
I've been fortunate to come on places where the question isn't why did I do it? The question to me is always, why didn't anybody else do it before me? Those are the ones that I scratch my head about.
In terms of how I work with actors, having worked so heavily on the script I have a very clear idea of the characters; they are reasonably well illustrated in the script. If you cast it right, to a great degree you can hand it over to the actor and I just make suggestions. I'm not the kind of director who needs or wants to get into too much finessing. Ideally, when you hit the set, you have this conversation, like, 'eh, what did you think?' 'I don't know, what did you think?' 'Why don't we just try it again, make a few physical changes.'
Ive been fortunate to come on places where the question isnt why did I do it? The question to me is always, why didnt anybody else do it before me? Those are the ones that I scratch my head about.
I've spent the majority of my life estranged from either one or both of my parents, and I've really had a lot of time to break down all the reasons why. There was something buried inside of me that said, I've got to kind of unravel the reasons why I don't talk to them; why not just one, but both of my parents and I have these really messed up relationships. And why I've been so fractured all these years. I got to the point where I thought, I was not the best kid. I openly admit that. But then I realized it doesn't matter. I was a kid!
I've always longed for the theatre and acting to be popular. No actor wants to play to an empty house. We only do it for an audience. The more the merrier. I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
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