A Quote by Patrice O'Neal
I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I love a little distortion across the bass; I think it kind of adds something to the sound of the band when the bass is a little overdriven.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
If you're going to play bass, then play bass how you play bass. You can learn technique and theory, but we want to hear what you have to offer.
There's something about rhythm and bass sections generally, how the bass and drums interact, that's basically the soul of any song.
I wouldn't want to hear Beethoven without beautiful bass, the cellos, the tuba. It's very important. Hip-hop has thunderous bass. And so does Beethoven. If you don't have the bass, it's like being amputated. It's like you have no legs.
Hip-hop is when you have crowd participation; when you chant at the audience and they chant back at you; when you wave your hands in the air like you just don't care; or some breakdancing. Everything today is just low-beat, real bass-y, bass-y, good rap records.
I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.
No, Nathan, no." She wrapped his face in her hands. "I just need you--all of you--so much that I'm going crazy. I need your laugh. I need your company. I need you to sleep beside me and I need you to wake when I wake. I need you with everything in me.
A bass should sound like a bass with the thump of the finger against the wood, like it began with stand up.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
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