A Quote by Patti LuPone
Anybody that goes to the theater, I think we're all misfits, so we ended up on stage or in the audience.
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I grew up in music theater playing to the audience - singing and dancing and showing off. That's really my background. But the camera's different. I think I'm more at home on stage.
When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
I think that there's a particular type of person who goes into children's theater, and then goes into theater in high school. There was something about the guys I knew in theater, we were all very vulnerable. You could tell that at some point we were made fun of.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
When a theater goes dark for the night, a stagehand leaves a lighted lamp on stage. No one knows why any more, but some old timers say it is to keep the ghosts away. Others say it lights the stage for the ghosts to play. Whichever theory one adheres to, most people agree: a great theater is haunted.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
The only reality of the theater exists in the mind of the audience. That audience looks collectively at what is going on on the stage and collectively imagines that this is real.
I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I was causing trouble in high school, and in order to get me to stop and to pass, they put me into theater, and I ended up winning a Shakespeare competition. All I had to do was imitate people properly, and I ended up going to the finals when I was about 16.
When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
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