A Quote by Patton Oswalt

I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians. — © Patton Oswalt
I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
That period in the late Eighties and early Nineties was when I was playing my best snooker. My trouble was that I had so many bad habits that my preparation was terrible: people like Steve Davis or Dennis Taylor were model pros.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
I just had a romance that I really care about, a lot-I mean, a lot-go up in smoke. Because of the stress, and the sort of other woman that Macintosh is.
I'm really boring. I get up early. I go to bed early. I don't smoke or drink. I mean, I'll eat a cupcake. I'm just not a crazy, stay-out-all-night sort of person. I love writing.
We just kind of relied on written scouting reports through the eighties and even the early nineties. I've really been amazed by some of the data that's out there, especially with regards to tendencies of hitters, and certainly tendencies of pitchers as well. I would have loved to have gotten that data when I played.
Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
Yeah, there were a few years in the early nineties where I really began to hate what was valued as funny and just sort of what was valued in stand-up, period.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
I guess you have to be a little arrogant to be a writer. I decided early on that just because a lot of other writers were bothered by getting bad reviews didn't really mean that the things were particularly important. By the same token, the good ones didn't mean all that much either. So I just forget about reviews and I wrote what I wanted.
There's always a question when you invest. Are you too early, are you too late, or are you just right? And there was a lot of hype about life sciences, around the sequencing of the human genome and a lot of people concluded that's not really there. But by the way, there was a lot of hype around the digital revolution just about the time of 2000 and the human genome, and it turns out that some of the world's biggest, most powerful companies are the survivors post that crash.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
I think I did a lot of really stupid stuff really quickly in my twenties and that sort of led me to want to sort of just relax a little bit. Relax a lot.
I grew up playing guitar in the late Nineties, early 2000s, so a very acoustic-driven pop-rock era, and then in college, I started listening to Jason Isbell and Kacey Musgraves. Then I really fell in love when I discovered really old country, like June Carter Cash - one of my all-time favorites.
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