Girls are freer to express their femininity and their sexuality and we're not tamping that down or denying it anymore. But it ends up putting them, first of all, in this box. And secondly, premature sexualization of girls actually does the opposite of what people think it might; it actually disconnects them from their sexuality and makes for decreased sexual health as they get older.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
I don't think I gave a good enough performance to be nominated for it. I thought I gave a fine performance, but those things are supposed to be about giving an extraordinary performance.
I don't mind being sexy, but on my terms. To this day, I love sexuality. I love the art of sexuality. I love Lady Gaga and the performance of sexuality. The mysterious, the artistic and the slightly perverse. I'm interested in all that.
The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
When we deal in generalities, we shall never succeed. When we deal in specifics, we shall rarely have a failure. When performance is measured, performance improves. When performance is measured and reported, the rate of performance accelerates.
I just constantly judge myself based off my performance. When performance isn't good, I let it bring everything down.
All good performance pieces have some philosophical validity. That's the difference between mere theater and performance art.
Hint: money flows into most funds after good performance, and goes out when bad performance follows.
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
You cannot judge the performance of an actor in isolation. A performance becomes good because of so many factors, including the other actors.
Traditional performance reviews have passed their sell-by date. Big time. There's research showing that roughly two-thirds of performance appraisals have either no effect - or a negative effect! - on employee performance.
Performance's only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so, it becomes something other than performance.