A Quote by Payne Stewart

I very rarely saw Tom Kite around. I've talked to Tom about it. I don't think Michael Jordan needed to be on the captain's cart with Kite; he needed to be walking in the gallery, supporting them from outside the ropes.
A kite can't really fly free,that's just an expression. In order to soar high in the sky the string of a kite needs to be anchored. If the string breaks the kite drops back to the ground. The kite's freedom depends on it not being as free as he thinks it is.
I wish my name was Tom Kite.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I was testing a P-51 fighter in Minneapolis when I spotted this object. I was at about 10,000 feet on a nice, bright, sunny afternoon. I thought the object was a kite, then I realized that no kite is gonna fly that high.
I love kite surfing and mountain bike riding. It's kind of interesting; my kite surfing ability has probably deteriorated with the rate of Kaggle's success.
I talked with Tom Hanks. I saw that movie 'Turner and Hooch' at least 50 times. It took all my guts to go up to him. I went up to him, I was like, 'Can I have a picture?' We talked acting; he wanted to know what I was doing. We talked a little tennis. I mean, he knew all about myself and my sister.
I started kite boarding when I was 13. My dad was a kite boarder, and I begged him to teach me until he finally agreed. He made me wait because it can be dangerous.
In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.
There's a big difference between when I'm Tom and when I'm Conchita. Conchita uses very proper German; Tom talks in an Austrian dialect. Conchita gets mad if she is kept waiting; Tom is lazy.
It can't be all you. Just like you need air to fly a kite. It's not the kite. It's the air.
I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].
I'm learning kite surfing. It's a little surfboard you have on your feet with straps, and you have a big kite like a power glider in the air that pulls you. You don't need waves to move, and it makes a big spray of water as you go.
There are some rappers out there that I listen to, that I'm like: "You are really good but you could be like the Michael Jordan of rap if you applied yourself." There's a lot of people who are better at basketball than Michael Jordan, but Michael Jordan just wanted to be Michael Jordan, more.
I needed the 'Chuck' phase to appreciate the 'Captain Awesome' phase because otherwise I don't think I would have realized the flip side of that coin. I think I needed to see the world through Chuck's eyes before becoming Captain Awesome.
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
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