A Quote by Pema Chodron

Being preoccupied with our self-image is like being deaf and blind. It's like standing in the middle of a vast field of wildflowers with a black hood over our heads. It's like coming upon a tree of singing birds while wearing earplugs.
The vast majority of the guns in the U.S. are sold to white people who live in the suburbs or the country. When we fantasize about being mugged or home invaded, what's the image of the perpetrator in our heads? Is it the freckled-face kid from down the street - or is it someone who is, if not black, at least poor?
When you come into our house, you get a flavor for our life, our travels, our kids, our 18-year-old poodle who is like, blind, deaf and incontinent but so happy.
We have our classic hood movies, right? Like "Boyz in the Hood." We have our classic conscious films like Spike Lee's "Do the Right Thing," or "Stand By Me." Even beyond Coogler, there are black films that are just voices. So the intention behind this ["The Land"] was to capture today's.
A kiss can be like the world turning over. It can be like the tide of a dragon's dream washing through the unseen world that is hidden to mortal eyes but that nevertheless permeates our being. It can be hot and cold together, as vast as the heavens and yet specific to the pressure of hands and the parting of lips. It raised more intense feelings than I had expected, like being engulfed in a storm of lightning.
Our deepest calling is to grow into our own authentic self-hood, whether or not it conforms to some image of who we ought to be. As we do so, we will not only find the joy that every human being seeks--we will also find our path of authentic service in the world.
Our tree became the talking tree of the fairy tale; legends and stories nestled like birds in its branches.
There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.
Sorrows are like thunderclouds, in the distance they look black, over our heads scarcely gray.
Thus at every step we are reminded that we by no means rule over nature like a conqueror over a foreign people, like someone standing outside nature - but that we, with flesh, blood and brain, belong to nature, and exist in its midst, and that all our mastery of it consists in the fact that we have the advantage over all other creatures of being able to learn its laws and apply them correctly.
It's surprisingly nice out here, peaceful and pretty-strange to be standing in the middle of a little garden while enclosed by the massive stone walls of the prison, like being at the exact center of a hurricane, and finding peace and silence in the middle of so much shrieking damage.
I am like a tree in a forest. Birds come to the tree, they sit on its branches and eat its fruits. To the birds, the fruit may be sweet or sour or whatever. The birds say sweet or they say sour, but from the tree's point of view, this is just the chattering of birds.
I didn't really like playing free safety. I didn't like being in the middle of the field.
From racial profiling and being pulled over just for 'driving while black' to this new phenomenon of killing unarmed people out of some preconceived idea of fear, our lives and our children's lives are not being valued.
Our Japanese fans don't speak English primary. They'll translate a sentence before coming and say something like, 'Thank you for coming to our country.' It's like, you're welcome. Thanks for coming to our show!
The image is not a closed field of knowledge; it is a whirling, centrifugal field. It is not a field of knowledge like any other; it is a movement demanding all the anthropological aspects of being and time.
The goat, for us, is an image that's stuck in our heads since we were kids, coming from Iowa people are like 'Beware the horned goat of satan!' and all that. It's bullshit. It's just an animal.
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