A Quote by Penelope Cruz

There are roles I have said no to, but for different reasons. And, I never talk about those because I feel it's disrespectful to say, 'Oh, I said no to this project or that other project.' I'd rather talk about the ones that I said yes to and the reasons why.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
As a singer, I've always said, "Yes, I smoke weed," when I'm asked. Of course I say yes, because why wouldn't I smoke weed? There are many reasons not to, though not that many compared to the reasons to do it. I've always been open about it ... but people go, "Hippie! No, not listening to you," and I think that's a bloody shame.
"When you wake up in the morning, Pooh," said Piglet at last, "what's the first thing you say to yourself?" "What's for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what's going to happen exciting today?" said Piglet . Pooh nodded thoughtfully. "It's the same thing," he said. "What's that?" the Unbeliever asked. "Wisdom from the Western Taoist,"I said. "It sounds like something from Winnie-the-Pooh," he said. "It is," I said. "That's not about Taoism," he said. "Oh, yes it is," I said.
"What's that?" the Unbeliever asked. "Wisdom from the Western Taoist," I said. "It sounds like something from Winnie-the-Pooh," he said. "It is," I said. "That's not about Taoism," he said. "Oh, yes it is," I said.
People said it because other people said it. They did not know why it was being said and heard everywhere. they did not give or ask for reasons.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
Mom?" I said. She turned. "Can I talk to you about something?" "Of course, darling. Come here." I took a few steps into the room. There was so much I wanted to say. "I need you to be --" I said, and then I started to cry. "Be what?" she said, opening her arms. "Not sad," I said.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
WHERE did you say it was?' asked Pooh. Just here,' said Eeyore. Made of sticks?' Yes' Oh!' said Piglet. What?' said Eeyore. I just said "Oh!"' said Piglet nervously. And so as to seem quite at ease he hummed Tiddely-pom once or twice in a what-shall-we-do-now kind of way.
I never said it. Honest. Oh, I said there are maybe 100 billion galaxies and 10 billion trillion stars. It's hard to talk about the Cosmos without using big numbers. I said "billion" many times on the Cosmos television series, which was seen by a great many people. But I never said "billions and billions." For one thing, it's too imprecise. How many billions are "billions and billions"? A few billion? Twenty billion? A hundred billion? "Billions and billions" is pretty vague. When we reconfigured and updated the series, I checked-and sure enough, I never said it.
Finally I got to the point where I said, I'd like to start a project where we can actually talk about race and poverty, not through the lens of a particular case, but much more broadly.
It's like, if someone asks me to do something and it seems like a really exciting project, but I maybe really frightened about it, nine times out of then I'll say yes imminently because then I can worry after I've said yes!
I was asked by an NPR reporter once, why don't I talk about race that often. I said it's because I'm a neurosurgeon. And she thought that was a strange response. And you say - I said, you see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.
I said I did not know enough about UNICEF to handle a press conference and she said they would not want to talk about it they would only want to talk about films.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
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