A Quote by Pernille Fischer Christensen
As a woman, for example, I live and work very much like a man. I take a lot of things from the man's world and I have to do that if I want to survive modern life. Conversely, men have to take things from the woman's world to survive. It's a very beautiful thing that you have to mold your own gender nowadays. But it's a very stressful thing for us.
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Take care with your words, Jacquetta, especially in cursing. Only say the things you mean, make sure you lay your curse on the right man. For be very sure that when you put such words out in the world they can overshoot-like an arrow, a curse can go beyond your target and harm another. A wise woman curses very sparingly.
I know I'm not a man-about that much I'm very clear, and I've come to the conclusion that I'm probably not a woman either, at least not according to a lot of people's rules on this sort of thing. The trouble is, we're living in a world that insists we be one or the other-a world that doesn't bother to tell us exactly what one or the other is.
You know what the problem is? You can't put a woman into a man's role. A women's journey in life, I'm not speaking disrespectfully of women and their roles in life, but a woman's journey in life is very different from a man's. That doesn't mean a woman can't do a man's job, but it doesn't mean that a woman should do a man's job the way a man handles it. The things that men question themselves about in life are quite different from the things women question themselves about.
Most people aren't encouraged to think of their labor as very valuable. We usually think of it as the necessary thing we engage in in order to survive. We live in a world where our ability to survive is connected to our ability to draw a paycheck. But there are other ways of organizing labor and culture. For example, people who are pushing for fixed universal base income, or a welfare system that separates wage labor from the compensation required to survive. It was only when I thought of those alternatives that I was able to really understand what we mean when we say sex work is work.
In the face of all that is so wrong with the world, the very worst thing you can do is survive. And yet you must survive. It is this dilemma that makes us believe and cling to the lie that we have a soul, and that there is a God who cares about its fate.
A lot of people are very frustrated. On the outside I am a woman, but how much am I also a man inside? And how much is the man that I meet actually a woman inside? The transsexual is a symbol for the confusion all of us in the Western world feel about this right now.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
There is a biological power that is intrinsic to the woman, to the female condition. Because you are able to give life. You are the reproducer of the species. Men feel very weak in front of a woman because a woman is capable of eliciting a number of instincts in a man. And that is what has made men very nervous about women.
I think it's a very female trait to want to please men and to want to be considered the Cool Girl. And if you take that to the farthest reach, where you're actually selling yourself out and degrading yourself by doing things you don't actually want to do, only in order for this man to think that you do, that's a very perverse thing.
You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.
The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.
My mother herself is a very independent woman, and I've had a leading example in this respect. And my father is a very liberal father who has always taught us to question things. He lives life on his own terms and stands by his beliefs. So, he has also been a great example.
In order to survive in a very small tribe, you needed to know how to do lots of things for yourself: how to make your tools, how to get food, and how to make your clothes - things most of us today don't need to know. The only thing I need to survive is to know history.
I try to be as optimistic as I can. I feel like that's the beautiful thing about art and music. It can take you places, and they can be a positive influence. A very soothing influence. Honestly, I feel like there's enough pain and terrible things that happen in life. That's beautiful thing in art, you can really idealize things.
Art is sexless; - good work is eternal, no matter whether it is man or woman who has accomplished it. ... Ah, but the world will never own woman's work to be great even if it be so, because men give the verdict, and man's praise is for himself and his own achievements always.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
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