A Quote by Perrie Edwards
If a guy took his top off and rain poured down on him, everyone would be like, 'Woo!' but if you're a woman you can't do stuff like that. Well, why can't you?
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When my career took off like a rocket in '97 - me against the nWo and Randy Savage - I wasn't just a top guy, I was the top guy, and then in '98, I blew my back out.
There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.
You make yourself available to the movement. At that point, for example, battered wives were not on the top of anybody's list. It was, "What did you do to provoke him? Why would he do that to you?" Stuff like that. I called the hotline, and I said I was available to help get orders of protection. I would help do whatever needed to be done, serve their papers. Many times, they'd go to court, get their papers, and then be afraid to serve them on the guy. So that was one source of income. But I took anything that came across my doorstep.
I went to so many sleepovers where these parents were reading the 'Book of Revelation' before bed and things like that. I would listen to that stuff, and I would sit there and say to myself, 'If God is so great and so good, why is there this list of rules?' Like, you go to hell if you don't believe in him and hold him up above everyone else.
Finnick?" I say, "Maybe some pants?" He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown leaving him in just his underwear. "Why? Do you find this" -- he strikes a ridiculously provocative pose -- "distracting?" I laugh. Boggs looks embarrassed and Finnick looks more like the guy I met at the Quarter Quell
Everything was red, the air, the sun, whatever I looked at. Except for him. I fell in love with someone who was human. I watched him walk through the hills and come back in the evening when his work was through. I saw things no woman would see: that he knew how to cry, that he was alone. I cast myself at him, like a fool, but he didn't see me. And then one day he noticed I was beautiful and he wanted me. He broke me off and took me with him, in his hands, and I didn't care that I was dying until I actually was.
If you say, "Woo, woo, woo!" to me, I'll say it back. I love it. "Woo, woo, woo" is something that my character used to say. It's something that my mother used to say to my brother and me when we were kids. When words would fail her, she'd just go, "Oh, woo, woo, woo." It's compassion. It's a combination of "I see you, I feel you, I acknowledge you, I got your back."
I let some people down, like Triple H, who had a lot of faith in me and took me under his wing. Ric Flair would never say it, but he loved me like I was his kid, and he was like a dad to me on the road. I'm sure I let him down somewhere along the way. These guys really invested a lot of time, faith, and energy in me.
Mr. Idris Elba is amazing! He happens to be British, but what's funny about him is that when he's speaking in his American dialect, he looks like he's a brother from the 'hood. But as soon as he brings out that English thing, I'm like, 'Woo! You look like you're from London. Oh my God!' It's like everything on him changes. He's so cool!
Why certainly I'd like to have that fellow who hits a home run every time at bat, who strikes out every opposing batter when he's pitching, who throws strikes to any base or the plate when he's playing outfield and who's always thinking about two innings ahead just what he'll do to baffle the other team. Any manager would want a guy like that playing for him. The only trouble is to get him to put down his cup of beer and come down out of the stands and do those things.
There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.
You have to bully a guy like Fury - notice I don't call him 'Tyson.' Truthfully you have to run up on a big guy like Fury and pummel him. He's the type of guy who's strong and determined but he's slow. His awkwardness is his positive.
The kind of wrestler that's going to do well in a combat style event like MMA is one that can explode through - doesn't need to spend time on the mat - hit his opponent, get him off his feet, and get on top quickly.
We became enthralled with the view that wealth trickled down from the top and that if you poured money into rich people, sort of like an ingredient, prosperity and jobs would squirt out of them like donuts. And if you understand economies in the 19th-century way, that view is plausible, and I think a lot of people accepted it.
I think for my parents it was like "A Boy Named Sue," the Johnny Cash song. A guy named Sue tries to track down his father to take it out on his father for naming him Sue. And his father says, "Look, I knew I wasn't going to be around. So I gave you the name so that you would grow up strong enough to take the hits and fight back." So I like to believe that's why my parents gave me this stupid name.
If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."
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