A Quote by P. J. O'Rourke

Once we realized that there were these 25 invariable types - the class politician, the frigid popular girl, the kid who tags along behind the jocks - once we came up with these key characters in a cloud of marijuana, the whole thing just came together. One of the things I'm really proud of is how much of a high-school yearbook it is in its look, so much so that Hunter Publishing had the art director, David Kaestle, and I come for years to their annual convention and do a little talk on how not to do a yearbook.
In 1970 or '71, early in the magazine, Michael O'Donoghue did maybe eight pages of a 1958 yearbook, from Ezra Taft Benson High School. But by the time the [book-length] high-school yearbook came around, he didn't want to be involved.
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
It was like that class at school where the teacher talks about Realization, about how you could realize something big in a commonplace thing. The example he gave--and the liar said it really happened--was that once while drinking orange juice, he'd realized he would be dead someday. He wondered if we, his students, had had similar 'realizations.' Is he kidding? I thought. Once I cashed a paycheck and I realized it wasn't enough. Once I had food poisoning, and realized I was trapped inside my body.
The puberty train came late to the station for me. I was the shortest kid in my sixth-grade class - they made me pose for the yearbook with the tallest kid for comedic contrast.
Really getting married, settling down, and having a kid - that was the biggest thing for me. I realized, this little girl that came into my life, that I created with my wife, and how special is that?
Im just trying to be positive. I like the guys (Im) around. Even though were not at the record Id like to be, even after a loss, guys are mad, but then we have fun and you move on. They look up to me. Ive been around eight years. A lot of these guys were in junior high or high school when I came into the NBA. I see how much of an influence I am off the court. I try to be careful how I approach things on and off the court, because I know these guys are watching.
I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.
I was named Class Clown in the high school yearbook, so I was always turning to comedy and laughter to heal and to get me through things.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
I was a junior at school, and I had just taken my first comics class, and we were doing an exercise for this other class where we had to create our own characters,and 'Nimona' just kind of came out of that. I decided that I liked her so much that I wanted to do a comic with her.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.
My skills weren't that I knew how to design a floppy disk, I knew how to design a printer interface, I knew how to design a modem interface; it was that, when the time came and I had to get one done, I would design my own, fresh, without knowing how other people do it. That was another thing that made me very good. All the best things that I did at Apple came from (a) not having money, and (b) not having done it before, ever. Every single thing that we came out with that was really great, I'd never once done that thing in my life.
I could only try to comfort the women that I came face-to-face with. I was really moved by how much they wanted to talk, how much they needed to be comforted, and how happy they were that we were there.
I think the big thing for Simple Plan is that we were able to keep the band members, the same five guys, the same lineup from the start. That's not easy. We grew up together. We're friends. We come from the same world. We've always had the same dreams and goals. I think we realized, as the years go by, how precious it is to have that, to build that, to see so many bands break up... it makes us realize how different we are to all that. We're really proud of that.
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