A Quote by P. J. Harvey
I think I'm a songwriter. I grab an instrument to make my body a song, but I'm not a player as such, maybe a little more on guitar, but certainly not piano.
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I grab an instrument to make my body a song, but I'm not a player as such, maybe a little more on guitar, but certainly not piano.
My first instrument is piano, I play some piano and guitar. So my solo music is more like real singer/songwriter type stuff.
I'm a guitar player. Actually, I think of myself as a songwriter/rhythm-guitar player.
As a song-writer I have always written with one instrument - either guitar or piano - because I believe that if a song is strong enough to be performed completely stripped down then it is a good one to go on and record.
I normally write on acoustic guitar, although piano is the instrument that I actually studied. Occasionally, I'll write on the piano or sometimes with no instrument at all.
My body is an object of work. That's why I think to be an actor is one of the most violent jobs. If you're a pianist, you have your piano. If you're a guitarist, you have your guitar. But if you're a dancer, or you're an actor - your instrument is your body.
I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.
One day, I was just fingering around on the keys of a Fender Rhodes piano, and I came up with this little riff, and all of a sudden, it morphed into a song. It had never been touched by a guitar, which was very weird for us. 'Under the Ground' is the first song I have ever written that had nothing to do with the guitar.
Your body is merely a machine made to express the thoughts that flow through you and nothing more. It is but an instrument for you to express your imagings just as a piano is an instrument for a musician to express his imagings. Just as the piano is not the musician, so, likewise, your body is not you.
I have a wonderful piano that I really love: a handmade Yamaha grand. Sometimes I'm sitting there, and it sounds so good that I find some little melody or a phrase that leads me into a song, but probably more often than not, I actually grab a notebook.
I'm not a mixer. That's not what I do. I'm a songwriter, a singer, and a guitar player. You might have some ideas here and there, but you let the mixer mix the song because, overall, you've gotta trust their instincts.
Just with the basic one guitar, one piano and one vocal and an audience, I think that the intimacy comes through more. People feel much more connected to the song because there's nothing in the way, and I actually enjoy doing that.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
I never really trained to be a musician, but I've been playing guitar since I was around, like, 13 years old. For me, the guitar has always been the instrument that I've played. I play a little piano. I taught myself everything by ear. I don't read music at all, which has not really been a hindrance.
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