A Quote by Pixie Lott

The worst thing about me is my toes. I've thick joints from wearing pointe ballet shoes - I went to a dance school from the age of 11 and danced every day. — © Pixie Lott
The worst thing about me is my toes. I've thick joints from wearing pointe ballet shoes - I went to a dance school from the age of 11 and danced every day.
I went to Westside School of Ballet in L.A. and I was climbing through the ranks. Then I got to pointe shoes and I was like, 'This is not cool, you guys. This is gonna be in textbooks, someday, along with Chinese foot-binding.' Anyway, it's not for me, so I got into doing different kinds of dance.
When you're wearing pointe shoes, honestly, they hurt - a lot - every day.
I was one of those dancers who they say wants to feel the floor through their pointe shoes. I would end up not wearing toe pads and that stuff. I would just wrap minimal amounts of paper towels around my toes.
Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
She danced the dance of flames and fire, and the dance of swords and spears; she danced the dance of stars and the dance of space, and then she danced the dance of flowers in the wind.
Pointe shoes are torture devices. I mean, ballerinas get used to it, but it was definitely a new experience for me. They feel medieval. I was very happy to stop wearing them.
I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies
Ballet found me. I was discovered by a teacher in middle school. I always danced, my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me.
Ballet really lends itself to that because there's such a sense of ritual, with wrapping the shoes every day and preparing new shoes for every performance. It's such a process. It's almost religious, in nature.
I danced in corps de ballet for 11 hours a day. That was the hardest work I have ever done in my life. I haven't seen anybody else work more.
Ballet is quite unnatural on the joints. My body is just worn. My joints are 10 years older than me.
I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals... or has just given me nightmares!
I did ballet at the Menlo Park Academy of Dance from age 4 to 11, but then I switched to ballroom, and I've been doing that ever since.
I always knew I wanted to dance and when I was eight, I started ballet lessons at a church hall. They all wore pink ballet shoes but I wore green, as they were cheap, and I remember everyone staring at me.
I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
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