A Quote by Pierce Brosnan

Someone like Roman Polanski comes with a lifetime of achievement, cinematically. — © Pierce Brosnan
Someone like Roman Polanski comes with a lifetime of achievement, cinematically.
When I got the invitation to be part of 'The Ghost' or 'The Ghost Writer,' as it's now known, from Mr. Roman Polanski, my interest level was very piqued. I was very excited and pleased to get such an offer from Mr. Roman Polanski.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
Working with Roman Polanski is funny. It's like anything in life - someone warns you that something's going to be amazing or difficult or awful, and you say, "I can do that. I can cope with that." And then when you're in the middle of it, it may be joyful or tricky, but it's never difficult in the way you think it's going to be difficult.
Do I have a small movie in me? Yeah, probably, when I'm 60. But I'm not Hal Ashby, I'm not Roman Polanski. I'm true to myself. Whether you like it or not.
Phil Spector is probably a better date than Roman Polanski.
That's one of the difficult things of being an actor that I'm still not used to. You have to go, you have to show up at these places where you know nobody, and sometimes with really impressive, high stakes people like Roman Polanski.
When Roman Polanski did give you a "Great, great, great!" you were just like, "Thank you, Lord, for this magical moment."
I was at a party three weeks prior to the murders at Roman Polanski and Sharon Tate's house.
I think if Roman Polanski had asked me to do the phone book, I would have said, 'Yes.'
When you have the chance to work with Wes Anderson, with Stephen Frears and Chris Weitz and Roman Polanski and Terrance Malick you don't say no.
'Barton Fink' owed something to Roman Polanski. As a director, he always goes beyond the obvious narrative drift.
I thought "I've coped with some crazy situations, and I can do this." But working with Roman Polanski is so different from the fashionable and accepted way of directing now.
I was lucky, because Ewan McGregor had already been shooting with Roman Polanski for about a month before I got role. And he did a faultless impersonation of what it was going to be like. So when direction happened, it was like, "Oh yeah. That's what Ewan said was going to happen." And so it was a little bit less debilitating than it might have been.
It's all right with me if Roman Polanski is freed by the Swiss authorities who have detained him at the request of the United States - if first I get a chance to bust him one in the mouth.
'Venus in Fur' is very Polanski: you have the knife of 'Rosemary's Baby'; you have Thomas disguised as a woman as in 'The Tenant,' when Vanda puts makeup on him, it's like 'Cul de Sac'; the dress of Tess and other details that are very Polanski. He fell in love with the play because it was so much him.
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