A Quote by Pirjo Honkasalo

I like to get something that is impossible to verbally order. Sometimes it's something the person is not even conscious of, and it's something you could never ask of them specifically. It's just there.
I think sometimes you have to just imagine something that looks pretty impossible. By imagining something that is impossible, automatically you wish you could make it possible.
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
Sometimes you just wonder whether people just don't have the sensitivity or decency. I'm a member of the media myself: I host a talk show. I know sometimes when you want to ask something, you can circumvent it with words and vocabulary. You don't suddenly just go out there and ask something directly in the pretense of being absolutely candid.
Sometimes you got to hurt something to help something. Sometimes you have to plow under one thing in order for something else to grow.
I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.
But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.
I was a very undisciplined person but acting was something that actually motivated me to get up in the morning. I hadn't experienced that before, but it was something that really excited me. I think I could be quite self-conscious and it gave me a release.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
Sometimes you can get into a phase where you takes things for granted, especially each day. When you go through something life-threatening, something that could change something you love, it makes you appreciate it much more.
In order to learn how to do something well, you have to fail sometimes. In order to fail, there has to be a measurement system. And that's the problem with most philanthropy - there's no measurement system. You give somebody some money to do something and most of the time you can really never measure whether you failed or succeeded in your judgment of that person or his ideas or their implementation.
Sometimes you give a person everything. You give them all of you. You give them everything you got, and they just don't want it, or that ain't your match. So now the next person, maybe that's really something special, but you not even acting like yourself.
Never look back to the past, never regret, even if there is emptiness ahead.' But I couldn't help it. Sometimes I would rather look back if it meant that I could feel something in my heart, even something sad. Sadness was better than emptiness.
I think words are the thing that either triumphs for you, in your desire to communicate something, or fails. I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
Pilates is amazing. It makes you conscious of how you have been doing something incorrectly for so long, even something as simple as just standing there.
I've been very fortunate, but it also never occurred to me that I couldn't do something or that I couldn't ask if I could try something.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
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