A Quote by Pete Dunne

William Regal is an obvious influence, as is Fit Finlay - you can see that in my style of wrestling - but I try not to copy too much of what I see now as that was part of my problem early on.
My dream match is me and Chris Benoit against Fit Finlay and William Regal. That way I get to work with Benoit and I get to beat up and get beat up by Finlay and Regal.
People will try to copy what they can see, which is the final product or service, but it's much harder to see (and copy) all the intricacies of the business model that allows you to create, capture, and deliver value. And that's what you need to get right to really jam something down people's throats!
I'm making a fresh start. That's another reason for the name change from Lord Steven Regal to William Regal here in the WWF.
You are surrounded by simple, obvious solutions that can dramatically increase your income, power, influence and success. The problem is, you just don't see them.
I hear you guys all the time talking about Daniel Bryan, trained by Shawn Michaels. One curious thing to me is, how come you guys never mention William Regal? William Regal did the real work with this young man. Shawn Michaels took $3,000 from him, that's all he ever did.
The barrier to change is not too little caring; it is too much complexity. To turn caring into action, we need to see a problem, see a solution, and see the impact. But complexity blocks all three steps.
It isn't that they can't see the solution. It's that they can't see the problem. They can't see the problem if they are looking in the wrong place. They can't see the problem if they have blinders on - for 'none are so blind as those that will not see'.
I see that I have, as part of my stock in trade, a very regal personality and carriage. I see that I have a kind of strength, a kind of command, and a kind of power that one would associated with a monarch.
We just get comfortable in our routines, and that's how it worked before, but now you can see wrestling from around the world and all the promotions, and everyone has something online you could see. And many years ago, you could do these routines, and they weren't routines to the fans because they didn't see them as much.
If you can figure out where you fit into any particular story, you'll be okay. When you're not quite sure where you fit in, you try to be too many parts of the story. You gild the lily. I see it all the time.
And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.
I just wanted to fit in, so probably early on I knew, but it was... social life was such a distant part of my existence when I was in school that I didn't even think about it too much.
People don't come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
When I first got into wrestling as a kid, I would read all of the wrestling magazines I could get my hands on. There was a satisfaction discovering that there was a whole wrestling world that existed that you didn't see on TV on Saturday morning. There was this idea that there was this stuff going on there that they didn't want us to see.
It's obvious we can't ignore the problem any longer. Locally and nationally, we cannot wait to see how bad it gets. We need to act now.
This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.
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