A Quote by Pete Maravich
Shooting is nothing. Anybody can shoot. The big charge is putting on a show for the crowd.
Related Quotes
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
Putting Michael Gove in charge of the Department of the Environment is much like putting a wolf in charge of the chicken coop.
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
Nothing is more destructive than the charge of artillery on a crowd.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
There is nothing better than having your home crowd cheer you on and scream with you in big moments and get the crowd in the pulse of the game.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
Bad Boy Entertainment did not shoot anybody. I didn't shoot anybody.
The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.
Nothing prepares you for shooting in the sea. Some days the sea is choppy, some days the waves are long. When there is no wind, it's fantastic to shoot, but your brain is burning because of the heat. You are shooting hand-held and taking a crane on a boat, which is risky since you can get toppled over.
We're putting on a show, and if I'm dancing and having fun, you can take a shot of the crowd, and they've got smiles glued to their faces.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
There is nothing like that crowd reaction, and nothing like looking someone in the eyes, someone that paid for a ticket to come to the show. I had the chance to go out there and close the show, doing what I love.
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