A Quote by Pete Rock
It was very important, and I felt like music ran through my blood lines, with my father being a deejay and teaching me about records. I always thought vinyl was just intriguing. A black piece of wax that spins on a turntable and nothing but good sound comes from it. So that inspiration just keeps me going in hip-hop.
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This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
I felt like when I got with Kanye, and we discussed me being on G.O.O.D. Music, he just really took me to a place in regards to music that I love and music that I had made previously. We had a clear understanding of what I wanted to make, and he just seemed like he was an advocate for hardcore, uncompromising hip-hop.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.
I do hip-hop music, and I've gotten famous off of hip-hop music, and I know that I'm successful, and I've created my own definition of success, what success means to me. So the hip-hop world is all just really fake to me.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
When I say hip-hoppers, I mean black, white, Asian, Latino, Chicano, everybody. Everybody. Hip-hop has united all races. Hip-hop has formed a platform for all people, religions, and occupations to meet on something. We all have a platform to meet on now, due to hip-hop. That, to me, is beyond music. That is just a brilliant, brilliant thing.
There are records that you just sink into. They coincide with what you’re going through and become an ally. If our records do that for people, that’s the greatest compliment I could ever receive. That’s one of the reasons making music is so important to me, because there’s a very strange emotional reach. For me—more than books or movies or other things—music is like a mainline to your heart.
I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.
Man, I feel like hip-hop is - first of all, not even only with just GOOD Music, I gotta say - I think hip-hop is still alive in a strong way, man. I feel really enthused about hip-hop.
The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music [1965] or other film soundtracks - whatever.
The Temple of Hip-Hop makes sure that we don't just approach hip-hop just through music or through rap. We approach the totality of hip-hop.
I always felt I was wounded. That I was no good, a piece of crap, and that I wouldn't amount to anything, because that's what my father always told me. I just felt like I didn't belong anywhere.
Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
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