A Quote by Pete Townshend

What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story.
Meeting external deadlines is much harder than meeting internal ones. On the other hand, internal deadlines sometimes don't feel real, and are therefore easy to evade.
People tell me I look mournful. They say, 'Cheer up, Dan, it's not that bad!' Sometimes I just look into space, which freaks people out. If I was ever required to do anything other than look haunted, I could. I'm a happy person.
People tell me I look mournful. They say, "Cheer up, Dan, it's not that bad!" Sometimes, I just look into space, which freaks people out. If I was ever required to do anything other than look haunted, I could. I'm a happy person.
Professional wrestling... is no different than a Broadway play except that in a Broadway play, actors are using dialogue to tell a story and establish their characters, while in WWE, they're using a physical dialogue to tell their story and build their characters. That's a very unique art; it really is.
Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
That's what I look for in models: Someone who can tell a story and has a presence in front of the camera.
Telling the complete story of VeggieTales would require much more time than we have before us tonight. Since this is Yale, I decided to craft a shorter version of the story, using very large words. Remembering though that I was kicked out of Bible College before I'd had a chance to learn many very large words, I concluded that my only remaining option was to tell the story simply, using simple words, and chance the consequences.
More than any other in Western Europe, Britain remains a country where a traveler has to think twice before indulging in the ordinary food of ordinary people.
Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
The events of life have never fallen into the form of the short story or the form of the poem, or into any other form.Yourown consciousnessisthe only formyouneed.
I am on the power toothbrush train and I'm asking people to try to using an Oral B power toothbrush. I just started using one and I cannot believe that I waited this long to use a power toothbrush. It's so much easier than using a manual toothbrush.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
Any play I do, anything I do in the theatre, it's absolutely essential for me in a sense, to create a family in order to. To create, in other words, to put a group of people together who love to share together what they're doing, rather than be individuals as such.
I think sometimes as an actor your career and life are kind of dependent on other people's decisions, what other people tell you, what time other people tell you to get up in the morning, what lines people tell you to say.
The theatre training is second to none in Ireland and England. You meet people who haven't had theatre training - it is harder for people who worked in TV to go into theatre than the other way around.
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