A Quote by Peter Capaldi
Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'
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Well let me tell you what [High School Musical] is really about. High School Musical is about this group of boys who are all being molested by the basketball coach, who is Zac Efron's dad. It's about them struggling to cope with this molestation. And they have these little girlfriends, who are their beards. Oh, and somehow there's music involved. You have to get stoned to watch it.
Before High School Musical, I wanted to be a nitty-gritty actress. And High School Musical came along, and, I was like, "Oh my God, fun!" But the more we did it, the more prude I became.... When I am around kids and they come up to me, of course I am going to act a certain way, but at the end of the day, I'm doing this for myself. I'm going to be doing movies kids can't watch.
Most of my friends from Columbia are going on to get advanced degrees. And why not? A Ph.D. is the new M.A., a master's is the new bachelor's, a B.A. is the new high school diploma, and a high school diploma is the new smiley-face sticker on your first-grade spelling test.
By 2018, an estimated 63 percent of all new U.S. jobs will require workers with an education beyond high school. For our young people to get those jobs, they first need to graduate from high school ready to start a postsecondary education.
How do I put this? 'Glee' is like 'High School Musical' if 'High School Musical' had its stomach punched and its lunch money stolen.
We shot 'High School Musical' in eight weeks. I spent longer rehearsing for 'Hairspray' than filming 'High School Musical'.
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
I'm pretty slapstick in my life but nobody sees that. You get typecast. I'm from New York and I have a sh*t-detector that's outspoken. I'm very streetwise and the producers detect that. So they get me on a movie and kill me. I go into their offices and I'm sure when I leave they say, 'You know, he'd be great to kill'. I've been killed every way you can imagine.
Producers say things that they would like to see in the movie but they don't see the full picture. In the end if you ignore everything the producers say, of course, you get fired; but then if you listen to a producer on everything then it's like 'Hey - why don't you direct your own movie?'
This really blew my mind, the fact that me, an over fed, long haired, leaping gnome, should be the star of a Hollywood movie.
Sometimes I lifted a chicken that warn't roosting comfortable, and took him along. Pap always said, take a chicken when you get achance, because if you don't want him yourself you can easy find somebody that does, and a good deed ain't ever forgot. I never see papa when he didn't want the chicken himself, but that is what he used to say, anyway.
If you'd have asked me when I was auditioning for High School Musical if I ever thought I was going to play a Marine.
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
I would say that the pivotal moment in singing for me was my sophomore year in high school, 'cause I always loved music but, even going into high school, I didn't know I wanted to make this my career.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
I always say to people when I'm trying to get something going, bringing on other producers or other directors, "You can think of 95 reasons why not to make a movie. You've got to address why you want to make the movie and get it done. Just do it." I tend to live by that rule.
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