A Quote by Peter Marino
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
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It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
What you need to do is get that tape measure out, and start measuring that gut. Then you start working out and you start eating properly till that gut gets down close to it was when you were in your 20's. Then you'll find out what your weight should be.
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
My shoes I got to pick. I chose worn-out red flats. I figured I should make it clear from the start that I wasn’t princess material.
I said jokingly that if you bat like a king, you should also get out like a king; you should not be dismissed like a soldier. If you have made runs aggressively, then you will get out that way, too. That's how it is.
When I think about it, I do start to worry about this whole social media thing. It does make me uncomfortable; kids should be out, living their lives, getting out and enjoying themselves.
I am a perfectionist. This job is a total ego thing in a way. To be a designer and say, 'This is the way they should dress; this is the way their homes should look; this is the way the world should be.' But then, that's the goal: world domination through style.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
All people - African, European, American - worry about being different. But I've learned that the traits we'd rush to get rid of are the very ones that others desire. People always covet what they don't have. That's why we should look at ourselves every now and then and say, 'I'm proud of myself. I like the way I'm made.'
I believe when you say you're going to start a race at 2 p.m. then you should stick to that and start the race at 2 p.m. There's no maybe, could be or should be. You start the race on time. It's very simple.
To be able to have that self-respect for yourself and just that feeling of, OK, I did what I could, just stay true to yourself.If you feel that this is something that's valid and you should go out there and win, then push through it no matter what the outcome is. Just know that nine times out of 10 that no matter whether you were right or you were wrong, the NFL is a business.
It's like, if someone asks me to do something and it seems like a really exciting project, but I maybe really frightened about it, nine times out of then I'll say yes imminently because then I can worry after I've said yes!
It's for scientists to lay out the data and lay out what they think, and then it's for the public to make up its own mind. We don't live in a priesthood where some small group imposes its views on other people - that's not the way that science works, and it's not the way a democratic society should work.
Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.
In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.
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