A Quote by Peter Menzel
Think about the photo you want to make beforehand. Then do it, but also don't be blind to better options that present themselves at the location. Be flexible, and be patient. Leave ego at home. Get the photo before you yell at the asshole, not after.
Related Quotes
Even now, a year later, people ask me about the Wheelchair Photo: what do I think about it? Does it bother me? The honest answer: I don't think about it. I glanced at the photo once, about a week after the bombing. I knew immediately I never wanted to look at it again.
I never think about a photo before I start it. I try to let my mind relax, and then when I get there I do it.
Sometimes I'll use four or five different photo apps on one photo just to get it where I want it to be.
when people go away, or when we leave the places we love, or something we treasure goes out of our life - I have always noticed that before it happens - this leaving, this parting - when we think about it beforehand we are overwhelmed with sadness at the loss to come. ... the most unbearable sense of loss, the worst homesickness of all, so I have found, is this loss and sickness we feel beforehand, before we ever leave home.
I think of scientific veracity as an idea from the past - the scientists say it is so, the photo is proof. Even the authoritative power of the word actual - an actual what? An actual retouched photo, an actual collaged photo?
There's something about his eyes in the photo. A kind of mystery. His personality comes through. It's always hung on my walls and I've given it to many people as a present. (On his iconic photo of Che Guevara)
Think about the photo before and after, never during. The secret is to take your time. You mustn't go too fast. The subject must forget about you. Then, however, you must be very quick.
If you think about all the light that enters - that enters the lens of a camera, that's much more than a photo. The light field is all the higher-dimensional information that's lost in a regular photo. When we record all this information, that provides us the opportunity in software after the fact.
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.
I love experimenting with clothes for photo shoots, but when I'm onstage, I want to show people that there are other options. You can just be yourself and still make good music.
Despite everything we know about photo manipulation, a photo is still considered an objective document.
In New York, I have a photo of my parents on their wedding day in 1947. They're beaming at home plate in Houston's Buffalo Stadium. I love the photo because my dad is smiling. He didn't smile much in his later years.
The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
All I want in life is to pet my dog and cat. After that, all I want to do is post photos of them. Mostly because they're the cutest things ever, but also because I don't have to worry about how ugly I look in the photo.
For 10 days after the Olympics, I couldn't go back to my house because people were sitting outside waiting to take my photo. That was a bit rubbish. At first I was open: 'Yeah, of course you can take a photo...' but after a while, it got to the point where I thought, 'Whoa, I don't like this attention anymore.'
If you think about photo sharing sites, the mobile photo sharing and social, there's no competitive advantage, there's no obvious business model, so I never play with anything like that. I avoid it like the plague.
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