A Quote by Peter Molyneux

I think if you try to force a personality on a world then I think you're destined to fail. — © Peter Molyneux
I think if you try to force a personality on a world then I think you're destined to fail.
I think the personal stories that I tell in my life, I think, sort of do add up to say that you can fail and fail and fail again and continue to move forward.
I feel projects are destined for actors. Whenever I find the project destined for me I'll be at it with full force.
I think what life experience has brought to my poems is compassion. When you work hard to make a living, raise a child up into the world, fail at marriage and try again, teach and fail, travel and fall, become ill, well again, weak but grateful, you learn patience, forbearance.
I remember everyone telling me I had to think positive when I was writing my first book. If I believed I could do it, then I could! If I pictured myself published, then it was going to happen! Which sounded great, except...could I do it? If I didn't think I could, was I doomed to fail? What if I was almost totally sure I would fail? I am here to tell you-what matters is sticking with it.
How can it fail to smash and shatter the petty provincialism and narrow nantionalism ... making of this world a tragic mosaic of hostility and hate? How can this fabulous new force in the sky fail to serve the hope of teh world and the peace of the world?
If your investing approach requires that you become Nostradamus to succeed, then you are destined to fail.
I think any time people behave in a way that's truly them, then they'll never fail. You get in trouble when you try to copy others.
I don't think I have something that's pronounceable as a philosophy. ... When it was fashionable to say, "May the Force be with you," I always said, "Force yourself." ... I'll say again then, "The Force is within you. Force yourself."
Whether you fail or set the world on fire cannot make so very much difference if only you have the opportunity to try for it, to work for it, to think of nothing else!
I think that the thing that holds so many of us back is our fear that we might fail, and I think we lose an incredible amount of talent and energy and enthusiasm that way. So I think, since I'm kind of a shining example of losing, that it's important for me to show that it's OK to lose, that I'm still so happy that I entered the fight, that I fought for something that mattered to me and that I gave voice to it and I made it part of the conversation. I want young women to know that it is OK to fail - it's not OK to stay home. It's not OK to not try.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
Class is something that I think seriously about and try to organise my politics around. I think there are lots of novels that don't really engage with questions of class at all, and they get less conversation about issues of social privilege than I do. But it's better to try and talk about it and maybe fail.
I dig my heels in every now and then, and think 'I'm not going to do what's expected or what people think is the right thing.' So I have a little bit of that in my personality.
I think it's a luxury when you love the thing you're promoting, and then you don't have to try to think of something, try and find some angle.
Every chick I try to intimidate in a different way. You have to think about their personality. You have to think about what would get under that particular person's skin the most.
I always think that you should never, ever force a producer to do something with a song that they don't think they can do something fantastic with, I think it's a stupid idea to force it, even if you think it's your best song.
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