A Quote by Peter Molyneux

I felt that the moral side of 'Black and White' was slightly confused. That's why I want the world to be in turmoil. — © Peter Molyneux
I felt that the moral side of 'Black and White' was slightly confused. That's why I want the world to be in turmoil.
Growing up, I was confused about my identity: I felt like I wasn't black enough to be black, but not white enough to be white.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
I definitely feel like, in America, even though race is a social construct... there's still a line drawn in the sand; there still are sides. Politically, there's a black side and a white side, and I stand unapologetically on the black side.
I don't find myself in moral turmoil. I'm not given to turmoil of any kind.
The world is not that black and white, Rachel. There are no moral absolutes. It is complex.
It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
Indiscriminate tolerance and indiscriminate condemnation are not two opposites: they are two variants of the same evasion. To declare that “everybody is white” or “everybody is black” or “everybody is neither white nor black, but gray,” is not a moral judgment, but an escape from the responsibility of moral judgment.
It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
Truth; that long clean clear simple undeniable unchallengeable straight and shining line, on one side of which black is black and on the other white is white, has now become an angle, a point of view.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"
Me don't dip on nobody's side. Me don't dip on the black man's side, not the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.
We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.
The Nation of Islam's main focus was teaching black pride and self-awareness. Why should we keep trying to force ourselves into white restaurants and schools when white people didn't want us? Why not clean up our own neighborhoods and schools instead of trying to move out of them and into white people's neighborhoods?
Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
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