A Quote by Peter Molyneux

The whole point here, and the seed that JJ Abrams laid in my mind is, is the power of curiosity enough? What happens next? That dramatic construct is what has driven soap operas and serialised novels over the course of history.
I was 11 and watching soap operas with my mom, and I thought it would be cool to be an actor. I thought soap operas was going to be the dream at the time - it's obviously now not the dream, but I think soap operas are really cool. Maybe I'll go back to that.
I loved him, but love isn't enough. All the fairy tales, the romance novels, the soap operas; they're all lies. Love does not conquer all.
Cutting off fundamental, curiosity-driven science is like eating the seed corn. We may have a little more to eat next winter but what will we plant so we and our children will have enough to get through the winters to come?
After my episode of 'Curb Your Enthusiasm' ran, Larry David and JJ Abrams were like, 'I discovered her,' but I was like 'Hold up. Please. I'm from 'Next Friday.' Everybody knows me!'
Soap operas got nothing on my family history.
If you want to do other things, you have to leave soap operas, otherwise you'll be there forever, which is not bad, you know. Some people have made a great living off of being on soap operas. But if you want to branch out you have to leave early, otherwise you'll never get the shot.
Love is a trick played on us by the forces of evolution. Pleasure is the bait laid down by the same. There is only power. Power is of the individual mind but the mind's power is not enough. Power of the body decides everything in the end and only might is right.
In a very literal way, of course, Shakespeare did change the course of history: when it didn't fit the plot he had in mind, he simply rewrote it. His English histories play fast and loose with chronology and fact to achieve the desired dramatic effect, re-ordering history even as it was then understood.
I think that baseball games are like soap operas. If you watch five in a row, you know enough to get hooked.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
I watched a lot of soap operas, when I was growing up, and a lot of those great serialized soap dramas.
The soap opera was so long ago - the thing about soap operas, and there's something to be said for doing it, but you do a script a day. I don't want to say it's a training ground; it really isn't, but what it does teach you is discipline.
Information is power. If you have information about the whole planet you have power over the whole planet. By knowing what people do in Germany they, of course, have power over them.
Julianne Moore and Michael Keaton began in 1980s soap operas and 1970s sitcoms, respectively, such ancient history by show business standards that you need carbon dating to measure their careers.
Daytime soap operas, which I used to adore, have been declining in quality and importance for over a decade, and I gradually stopped monitoring them.
Early on, America took one path and went down the advertising road, and in the UK they founded the BBC and developed a different kind of public broadcasting. There was a point where TV was so beholden to commercial interest that people - civil society - actually rose up and said, "This is ridiculous: we have our soap-selling soap operas, cigarette-sponsored news broadcast; we have our rigged quiz shows - let's put some checks and balances here."
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