A Quote by Peter Orner
A stellar, fully-realized collection of stories... grounded, wonderfully, in the river valleys of western Maine. You come away not only understanding a place but the soul of its people.
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I think that I'm reaching a point in my life and in my career where soon it will be important for me to get out of the way and let younger, hungrier, more interesting people do what it is that I do. Maine is a wonderful place to hide, because no one ever looks for you there. And the goal of every person in Maine, whether native or from away, seems to be to mitigate as possible all human interaction. So it's a good place to disappear in.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.
I don't have time to have friends come and stay, except on weekends in Maine. I invite a lot of people to come to Maine.
I like the idea of a fully realized collection with artists.
Sadness, joy, wonder - all feelings come from a place of grounded strength that comes from trust in yourself. We spend so much time trying to control our feelings out of fear that something may happen, that somebody may not love us, or walk away or die. It's only when you stop living in that fear of what other people might do to you or how they will react, only then are you free to be alive.
Mainiacs away from Maine are truly displaced persons, only half alive, only half aware of their immediate surroundings. Their inner attention is always preoccupied and pre-empted by the tiny pinpoint on the face of the globe called Down East. They try to live not in such a manner that they will eventually be welcomed into Paradise, but only so that someday they can go home to Maine.
Maine is a joy in the summer. But the soul of Maine is more apparent in the winter.
I realized that there is something else that is influencing people to behave like that, and that's the taking of the souls away from God. If you get people to sin, they get pushed further away from God and eventually God doesn't really own the soul anymore. The Devil owns the soul and that's where the danger comes in. Because in the end, there's no do-overs.
I realized quickly what Mandela and Tambo meant to ordinary Africans. It was a place where they could come and find a sympathetic ear and a competent ally, a place where they would not be either turned away or cheated, a place where they might actually feel proud to be represented by men of their own skin color.
I love going to the river not only to enjoy nature, but to think about the Los Angeles River's place in our city's history and to envision its great place in our future.
The first story I wrote was "Catface" which was later selected for The O. Henry Collection, so that gave me some confidence to try some more. Gathering these stories together was fun, but I realized when I read them that I have certain mental preoccupations and they keep recurring in my stories.
Are you searching for the river of your soul?
Then come out of your prison.
Leave the stream
and join the river
that flows into the ocean.
'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
Knockemstiff is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
We let a river shower its banks with a spirit that invades the people living there, and we protect that river, knowing that without its blessings the people have no source of soul.
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