A Quote by Peter Sarsgaard
I see how people boss other actors around to try to get a scene favorable to them. I absolutely just never engage in doing that. If someone's going to do it to me, I just let them have it.
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One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes.
A lot of actors try to sabotage other actors, and that's sad because then you're never going to get that beautiful scene.
When somebody doesn't use common sense, I get frustrated. When I'm driving down the highway and someone is in the left-hand lane, and they're going very slow, sometimes I just go around them, and other times I'll be in the mood where I flash my lights and yell at them, like, 'What the heck are you doing? Get the heck out of my way!'
When you're working on a television show with actors, what you hope you're doing is playing jazz with them all the time. You see what they're giving you, so you try to write back to that, and then they play with that, and you get a sense of what is going on. That's just a natural way in which TV series usually work.
I want people to like me - but not at my expense. I just learned that there are too many people who are going to have an opinion about me whether I am kind to them or not. I can't control what they're feeling. I am not a yeller and I don't have a temper, but I do want people to do their best. And if someone is a friend and I see that they're doing stuff that is not helping them grow, I will make it a point to talk to them about it.
I like to learn the lines and not get any precontrived things in my head about the part. Just get on stage and see what the other actors are doing, and respond to them as honestly as I can.
I've been around where I knew other actors were going to steal the scene, and I don't compete with them.
When someone is bullying you, don't let it get to you. I remember my friends in school, someone said something mean to them, and they really let it get to them. And it really affected them. But I would just say try to ignore it as much as possible and just be yourself.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
When you have kids, you just love them. It's similar to when you're in love with someone. You just think they are so cool and want to be around them all the time, but what if she starts being embarrassed and only giving me charity visits? I want her to actually want to see me, so that's what I'm going for!
Don't watch people's individual performances. Watch the energy that's being passed between them, and then you'll see if the scene is really working or if the actors are really doing their job. If they're playing with the energy that's between them, they're not just acting in their own little bubble.
To educate is really the most important thing. To try to reach people that have never understood mental health or had issues with it or people around them who have had issues with it. To just educate them and just understand that Naomi Osaka is not going to pull out of the French Open just because she doesn't want to talk to the press.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.
I run around, I listen to a lot of music, go to a lot of concerts. And when I see someone that gases me, I try to go out of my way to involve them somehow in what I'm doing or get involved in what they're doing.
If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.
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