A Quote by Peter Tork

I have never done Cult TV before, the convention was good. It gives the fans a chance to meet the celebrities. Connect with the guy that used to be a bunch of coloured dots on your TV screen.
Enzo Amore, the guy you see on TV, existed in a gym in New Jersey long before he ever took to a TV screen.
I've never really broken this down before, but, in movies, you almost have no connection to fans. And if you do TV, you're kind of connected, but they know you as the TV name not your real name. If you do radio, there's more of a bond there. And then if you do a podcast it's like you're literally inside of your fans.
When we were small, Rose and I used to play a game called connect the dots. I loved it. I loved drawing a line from dot number 1 to dot number 2 and so on. Most of all, I loved the moment when the chaotic sprinkle of dots resolved itself into a picture. That's what stories do. They connect the random dots of life into a picture. But it's all an illusion. Just try to connect the dots of life. You'll end up with a lunatic scribble.
We've recognized that Twitter is the second screen for TV, and TV is more fun with Twitter. There are a bunch of ways that we can be complementary to broadcasters.
You can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
I'm a musician. I've done TV, but I've never really been a reality TV star, and it's not the route I'm looking to go down, and when I do TV, I want it to be connected to music.
At the Emmys, you've got a bunch of people who are used to being on TV on TV. You don't have that at the Oscars. At the Oscars, you have people who are used to having 40 takes.
That's the holy grail as a TV writer, to work on a story that you care about and to put it out there and for it to find the audience and connect with fans and connect with critics.
If anyone has the opportunity to connect the dots and look at the directors I've worked with, from TV to film, there are some heavy hitters, from Taylor Hackford to John Singleton.
You want to be on TV, I want to be on TV, I want to be a part of 20 million viewers, new fans. I'd love to have that opportunity, that chance.
There's a good deal in common between the mind's eye and the TV screen, and though the TV set has all too often been the boobtube, it could be, it can be, the box of dreams.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.
When the companies started making made-for-TV movies, people thought it was a fluke. Who would watch that? Because it's in your TV screen and not in a theater. Remember that?
There are a whole bunch of people - Republicans or sports fans or reality TV fans - who probably would never have recognized that they have trans people in their world. Caitlyn Jenner really is thinking about the movement and saving lives, so I know that her intentions are honorable.
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