A Quote by Peter Falk

To be totally sincere, I'd surely be a better actor today if I hadn't played Columbo all these years. — © Peter Falk
To be totally sincere, I'd surely be a better actor today if I hadn't played Columbo all these years.
Sincerity is all that counts. It's a widespread modern heresy. Think again. Bolsheviks are sincere. Fascists are sincere. Lunatics are sincere. People who believe the earth is flat are sincere. They can't all be right. Better make certain that you've got something to be sincere about and with.
Well I think in all the thirty years I've been doing this now and being gone from home and all that stuff it's really, it's not about what I've achieved and if I've become a better player, or played better ten years ago than I do today.
In the classic 70s episodes, Columbo is rarely seen on his own. We typically do not see Columbo 'for himself,' only for the criminal, leaving the possibility that the entire Columbo persona - his shambling manner, his absent mindedness, even his references to his wife - may all be a performance designed to disarm the murderer.
Even the first year of 'Columbo,' 'Columbo' was Jesus Christ, No. 1, you know.
We live in such hypersexualised yet totally prudish times. People have this expectation about everyone else's relationship to their own bodies.'Surely you must have shame about your body? Surely what's scariest for you as actor would be to stand in a room naked?' Believe me, I've been in so many more terrifying situations as a performer than that.
For 8,000 years, we've had lyric poetry; for 400 years we've had the novel: theatre hands its meaning down in text. Let's find a medium whose total, sole responsibility is the world as seen as a form of visual intelligence. Surely, surely, surely the cinema should be that phenomenon.
You think you're in another civilization, another time, and then you see antennas coming out of these hovels, and your mouth falls open when you see the descendants of the Incas shouting 'Columbo! Columbo!'
Humans are very seldom either totally sincere or totally hypocritical. Their moods change, their motives are mixed, and they are often quite mistaken as to what their motives are.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
There was that moment of, "Oh, my parents are watching Columbo and I hate it" to "No, I love this show, too." And I feel like, for me, that was around 11 or 12, where I could actually join my parents in their viewing and wasn't so irritated that they were always watching Columbo.
How do you say one actor is better than another actor? You can definitely say that in the Olympics if it's the same race and someone wins the race. The only way to really do it and have it be sincere would be if you get all the actors together, and they're all playing the same part, and then you rate which one made you feel the most.
You have to adapt to each level and it improves you when you're in better teams. That's what's happened to me over the years. Every team I've played in has just got better and better. It's become a lot easier.
Surely nobody would be a charlatan, who could afford to be sincere.
The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.
I know that I'm better as an actor when I'm working with a good actor. I think anytime you're working with a better actor, it makes you a better actor.
I've played with some of the best that have ever played, obviously. I don't know if there is anybody that is a better technician than Peyton Manning. Tom Brady is another quarterback that I was fortunate enough to play with for a bunch of years.
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