A Quote by Peter Farrelly

Usually, you can shoot a movie in 10 or 12 weeks. — © Peter Farrelly
Usually, you can shoot a movie in 10 or 12 weeks.
After a Canadian has been referred to a specialist, the waiting list for gynecological surgery is four to 12 weeks, cataract removal 12 to 18 weeks, tonsillectomy three to 36 weeks and neurosurgery five to 30 weeks.
'Party Down' is the most fun I've ever had working in my life. We shoot 10-episode seasons and we shoot it in 10 weeks, so it's very brief: 4-day episode shoots. You never get sick of anybody, and it never feels like a drag. It's way, way, way too short.
It takes 4 weeks for you to notice your body changing, 8 weeks for your friends to notice, & 12 weeks for the rest of the world to notice. Give it 12 weeks. Don't quit.
I usually work in music videos, where we shoot, like, 10 to 12 setups and 60 shots or something.
I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'
I've done roles before where I've wanted to be buff and sort of fit or whatever. And I like to try and be a little bit fit because there's usually one scene in a movie where you've got to run, which means you've got to run for about five hours nonstop. So, for me, it's just worthwhile being fit because doing a movie can be kind of grueling for six, seven, eight weeks. Or 12 weeks.
My daughter is 12 weeks old and I've been in a training camp for 10 weeks. So I haven't held her properly and been out pushing the pram, doing the little things. But when I'm slugging it out and things are getting tough I just think, 'everything is for the kids.'
We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
We shoot 'Hustle' for 12 to 16 weeks, so that's how long I'm here each year. I've always loved London. I lived here for three years back in the Seventies, when I did a TV series, 'The Protectors,' for Lew Grade.
In the last 10 to 12 years when things were not going my way, I was just writing scripts. I have a bank of 10 to 12 scripts for web-series, films and short films.
I've always said I'd rather see a club that's won 10 or 12 in a row than a club that's lost 10 or 12 in a row because they're tougher.
Ghost Team approached me. They said, "Hey, it's mid-October, do you want to go shoot a movie on Long Island for three weeks about stupid people chasing ghosts?" I had never done anything like that before. It's kind of a mock-horror movie. What I didn't realize was the whole thing takes place at night, as a horror movie should, and so I didn't realize that we'd be working until 6 in the morning every night, or morning.
I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.
So where a lot of people will spend three weeks on one song, I will write 10 in three weeks. Maybe the song that they sculpt is going to be as successful as just one of the 10 that I wrote.
I used to play as a No. 10, in Bilbao, in most of the games, but when I came to United, when you come to one of the biggest clubs in the world, you realise that if you want to be a No. 10, you have to score 10, 12 goals per season.
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